Yakov Kreizberg's catalog with PentaTone tends to represent familiar classics, ranging from Mozart's violin concertos to Strauss' waltzes, so it's not surprising to find an account of Dmitry Shostakovich's widely acclaimed and highly accessible Symphony No. 5 in D minor included on this 2007 hybrid SACD. What's less expected is that the rest of the program is occupied by the comparatively unfamiliar Symphony No. 9 in E flat major, a far less popular work that has left many puzzled by its ambiguity.
Of Anton Bruckner’s 11 symphonies, the perennially popular 7th in E major is his most consistently melodious, evenly paced, & lyrically flowing, with comparatively few false starts, awkward pauses, or tedious fanfares. For this exceptional hybrid SACD from PentaTone, Yakov Kreizberg & the Vienna Symphony deliver 1 of the smoothest & roundest performances of the symphony heard in years. Yet it might actually be too polished for the liking of some old-guard Bruckner fans, who may argue that the orchestra is too mellow, luscious, & soft, & that Kreizberg’s inflections & phrases are too nuanced & sensual for the composer’s pure, almost sacred, intentions. But more important than the undeniably rich tonal quality found here is the interpretation, which draws on the style of Wagner’s most ardent music; some of the more ecstatic passages of Lohengrin & Tristan und Isolde may come to mind when one hears this disc.
“I do not know precisely what is my destination: however, I do know that 1 evening, after for the 1st time hearing a symphony by Beethoven, I became feverish & ill. As soon as I recovered, I became a musician.” Thus Richard Wagner described the enormous impression that Beethoven’s music had made on him in his novelette Eine Pilgerfahrt zu Beethoven (a pilgrimage to Beethoven). Although it is difficult to separate fact & fiction in this novelette, Beethoven’s music did indeed exert a major influence on the life of the young composer. Wagner was 17 years old when he 1st heard Beethoven’s 9th Symphony, a work which was to play a central role during his entire life, & which he was, for instance, to conduct in 1846 at the opening of the Festival Theatre in Bayreuth.
Ce livre électronique est destiné aux enfants de 11 à 18 ans et aux professeurs enseignant l'informatique à l'école.
This performance takes the music seriously, and Fischer more than holds her own in the outer movements where the violin needs to be able to confront the orchestra fearlessly in their ongoing dialog. In the lengthy andante, once again Fischer projects passion and sincerity without excessive histrionics.