La-La Land Records and 20th Century Fox proudly present the remastered and slightly expanded 2-CD release of acclaimed composer John Williams' (JAWS, STAR WARS, RAIDERS OF THE LOST ARK, SCHINDLER'S LIST) orchestral score to the 1992 blockbuster holiday sequel HOME ALONE 2: LOST IN NEW YORK, starring Macaulay Culkin, Joe Pesci and Daniel Stern, and directed by Chris Columbus. Williams builds upon his marvelous HOME ALONE score, giving the Yuletide saga of Kevin McCallister a festive and joyous, Big Apple spin that will have you smiling through the holiday season! Produced by Nick Redman and Mike Matessino, and mastered by Dan Hersch and Mike Matessino, this special release, limited to 3000 units, features exclusive, in-depth liner notes by John Williams historian Mike Matessino. Yesssss!
Remastered and expanded release of renowned composer John Williams’ (JAWS, STAR WARS, RAIDERS OF THE LOST ARK, 1941) orchestral score to the 1990 holiday classic 20th Century Fox feature film HOME ALONE, starring Macaulay Culkin, Joe Pesci, Daniel Stern and Catherine O’Hara, written and produced by John Hughes and directed by Chris Columbus. Produced by Nick Redman, Mike Matessino and Didier C. Deutsch, through arrangement with Sony Music and 20th Century Fox, and remastered by Mark G. Wilder and Maria Triana at Battery Studios, this expanded release arrives just in time for the film’s 20th Anniversary and features more than 20 minutes of previously unreleased music, including bonus tracks. Exclusive, in-depth liner notes by Mike Matessino take you behind-the-scenes of one of filmdom’s most indelible holiday scores.
Because he's long been stereotyped by the rousing neo-romantic adventure scores for the Star Wars, Indiana Jones, and Jurassic Park franchises, it's easy to forget that composer John Williams is hardly idiomatically challenged. When Steven Spielberg gratifyingly used the clout of his enormous commercial success to produce and direct this brave Holocaust drama, his longtime musical collaborator used the opportunity to display both the depth and maturity of his musical gifts and training, producing a score with sad, evocative melodies frequently carried by the violin of the great Itzhak Perlman. Rich with ethnic nuance and showcasing the composer's masterful orchestral/choral subtlety, Williams's emotionally compelling score for Schindler's List also won the Academy Award for Best Dramatic Score.
La-La Land Records, WEA and Warner Bros. proudly present the remastered and expanded, limited edition 2-CD set of John Williams’ Academy Award Nominated original score to the 1987 feature film EMPIRE OF THE SUN, directed by Steven Spielberg and starring Christian Bale, John Malkovich and Miranda Richardson. Heralded as one of the acclaimed composer’s finest works, Mr. Williams’ masterful orchestral score seeks no less than the openness of the human heart, mind and soul – the perfect compliment to this powerful and indelible film about a young English boy’s emotional and physical struggle to survive the Japanese occupation of China during WWII. This deluxe re-issue was produced, assembled and mastered by Mike Matessino in cooperation with John Williams, Steven Spielberg and the film’s co-producers Kathleen Kennedy and Frank Marshall.
Elgar’s Violin Concerto has a certain mystique about it independent of the knee-jerk obeisance it has received in the British press. It probably is the longest and most difficult of all Romantic violin concertos, requiring not just great technical facility but great concentration from the soloist and a real partnership of equals with the orchestra. And like all of Elgar’s large orchestral works, it is extremely episodic in construction and liable to fall apart if not handled with a compelling sense of the long line. In reviewing the score while listening to this excellent performance, I was struck by just how fussy Elgar’s indications often are: the constant accelerandos and ritards, and the minute (and impractical) dynamic indications that ask more questions than they sometimes answer. No version, least of all the composer’s own, even attempts to realize them all: it would be impossible without italicizing and sectionalizing the work to death.
This 16-track, 72-and-a-half-minute compilation contains Deniece Williams' two number one pop/R&B hits, "Let's Hear It for the Boy" and "Too Much, Too Little, Too Late" (a duet with Johnny Mathis), as well as her remake of "It's Gonna Take a Miracle," an R&B number one and Top Ten pop hit, and "Free," which just missed the top of the R&B chart and made the pop Top 40. Otherwise, the collection is somewhat idiosyncratic, compilation producer Leo Sacks' idea of Williams' best, rather than her greatest hits. Her success on the R&B singles chart, where she scored 18 Top 40 hits, is shortchanged, as the set fails to contain such major R&B hits as "Never Say Never" and "You're All I Need to Get By…"
John Williams’ awe-inspiring music has been heard by anyone who has ever entered a movie house or seen a Spielberg film on TV. This collection brings you the very best of his themes, from ET to Harry Potter, Indiana Jones to Jaws, Star Wars to Catch Me If You Can. All tracks performed by The City of Prague Philharmonic Orchestra.