The follow-up to the "I Wanna Be Around" LP.
In the first book-length study of Vietnamese American literature, Isabelle Thuy Pelaud probes the complexities of Vietnamese American identity and politics. She provides an analytical introduction to the literature, showing how generational differences play out in genre and text. In addition, she asks, can the term Vietnamese American be disassociated from representations of the war without erasing its legacy? …
The 40 tracks compiled on this two-disc set represent the entire span of pianist and singer Leroy Carr's recording career that spanned a brief seven years, from 1928-1935. The material represented here – all but one of these tracks were recorded for the Vocalion label – features accompaniment by guitarist Scrapper Blackwell on all but one selection, and Josh White on a handful as well. Carr's material here ranges from the classic piano blues of the era that spawned Ma Rainey and Bessie Smith to vaudeville and hokum tunes made popular by artists like Tampa Red and Georgia Tom. Carr's voice is the haunting thing here; it's higher and very clear, sweet almost, as evidenced by most of these sides. But there was an edge, too; one that belied a kind of pathos underneath even the most cheery material – check "Mean Mistreater Blues" or "Bread Baker." But the darker material such as "Suicide Blues" (one of six previously unissued performances), "Straight Alky Blues," or "Shinin' Pistol," is strange and eerie given Carr's smooth approach. Carr may not be the most well-known bluesman of the era, but his contribution is profound and lasting. This collection puts to shame almost all others with the exception of the multi-volume complete recordings on Document.
When it comes to picking material, today's young hard boppers (both instrumentalists and singers) could learn a lot from Sonny Rollins – a tenor titan who has always had a way of surprising us with interesting, unexpected choices. Over the years, he hasn't made the mistake of limiting himself to overdone Gershwin and Cole Porter favorites; Rollins doesn't exclude well-known standards by any means, but he has also made a point of interpreting a lot of material that other hard boppers have ignored (and that has included everything from forgotten show tunes to Stevie Wonder gems).
When their father passes away, four grown siblings, bruised and banged up by their respective adult lives