Thelonious Monk, in full Thelonious Sphere Monk (born Oct. 10, 1917, Rocky Mount, N.C., U.S. - died Feb. 17, 1982, Englewood, N.J.) American pianist and composer who was among the first creators of modern jazz. As the pianist in the band at Minton’s Playhouse, a nightclub in New York City, in the early 1940s, Monk had great influence on the other musicians who later developed the bebop movement. For much of his career, Monk performed and recorded with small groups. His playing was percussive and sparse, often being described as “angular,” and he used complex and dissonant harmonies and unusual intervals. A collection of some of the most remarkable recordings which laid the foundation of modern jazz and unfluenced generations of other musicians. The vast majority of these recordings became popular standards.
An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
The second volume of Thelonious Monk's appearance at the 1963 Monterey Jazz Festival is drawn from two separate concerts on back to back days, with the pianist joined by longtime tenor saxophonist Charlie Rouse, bassist John Ore and drummer Frank Dunlop…
C’est à une véritable leçon de jazz que nus convie Antoine Hervé. Mais c’est bien plus que cela. Une sorte de déclaration d’amour à tous ses maîtres en piano jazz, au centre desquels il place Monk. Certes en s’attaquant en solo à l’œuvre de Monk (à l’exception d’un thème signé Irving Berlin et d’un thème de lui-même - Camara), Antoine Hervé prenait lors de ce concert donné en public en 1997 à la Cité de la Musique le risque de se voir comparer aux grands solos du Maître.