The Police

The Police: Discography (1978-1992)  Music

Posted by v3122 at Sept. 20, 2017
The Police: Discography (1978-1992)

The Police: Discography (1978-1992)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2008 | Universal International | Japan | ~ 2247 or 1123 Mb | Scans(jpg) -> 285 Mb
Pop Rock, New Wave | Remastered

The Police were an English new wave band formed in London in 1977. For most of their history the band consisted of Sting (lead vocals, bass guitar, primary songwriter), Andy Summers (guitar) and Stewart Copeland (drums, percussion)…

The Police - Can't Stand Losing You (Live) (1995)  Music

Posted by Domestos at Sept. 8, 2017
The Police - Can't Stand Losing You (Live) (1995)

The Police - Can't Stand Losing You (Live) (1995)
EAC Rip | FLAC (image+.cue, log) ~ 149.64 Mb | 22:39 | Scans included
Rock, Electronic | Country: Great Britain | Label: A&M Records (581 037-2)

The Police were an English new wave band formed in London in 1977. For most of their history the band consisted of Sting (lead vocals, bass guitar, primary songwriter), Andy Summers (guitar) and Stewart Copeland (drums, percussion). The Police became globally popular in the late 1970s and early 1980s and are generally regarded as one of the first new-wave groups to achieve mainstream success, playing a style of rock influenced by punk, reggae, and jazz. They are also considered one of the leaders of the Second British Invasion of the United States. They disbanded in 1986, but reunited in early 2007 for a one-off world tour that ended in August 2008.

The Police - Live In Concert 2008 [HDTV 720p]  Music

Posted by stfine at Aug. 14, 2017
The Police - Live In Concert 2008 [HDTV 720p]

The Police - Live In Concert 2008 [HDTV 720p]
AVC, 1280x720p (16:9), ~6.5 mbps, 30 fps | AC3 192kbps, 2ch | 01.33.30 | 4.4 GB
Rock | HDTV->TS

Sting with Andy Summers & Stewart Copeland give amazing performance in Tokyo, February 13, 2008.
The Police - Every Breath You Take: The Classics (1995) {Remastered, Japanese Edition}

The Police - Every Breath You Take: The Classics (1995) {Remastered, Japanese Edition}
EAC Rip | FLAC (Img) + Cue + Log ~ 384 Mb | MP3 CBR320 ~ 143 Mb
Full Scans (JPG, 600 dpi) ~ 71 Mb | RAR 5% Recovery
Pop Rock, New Wave, Post Punk, Reggae Rock | A&M Records / Polydor K.K. #

In 1995, A&M released Every Breath You Take: The Classics to replace the original album. It features a slightly different track listing: the original version of "Don't Stand So Close To Me" replaces the 1986 recording at track 5; the '86 version appears at track 13. A 'New Classic Rock Mix' of "Message in a Bottle" is included as track 14.
The Police - Outlandos D'Amour (1978) {2003, Reissue, Remastered}

The Police - Outlandos D'Amour (1978) {2003, Reissue, Remastered}
EAC Rip | FLAC (Img) + Cue + Log ~ 277 Mb | MP3 CBR320 ~ 97 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
New Wave, Post-Punk, Alternative Rock, Reggae | A&M Records #493 652-2

While their subsequent chart-topping albums would contain far more ambitious songwriting and musicianship, the Police's 1978 debut, Outlandos d'Amour (translation: Outlaws of Love) is by far their most direct and straightforward release. Although Sting, Andy Summers, and Stewart Copeland were all superb instrumentalists with jazz backgrounds, it was much easier to get a record contract in late-'70s England if you were a punk/new wave artist, so the band decided to mask their instrumental prowess with a set of strong, adrenaline-charged rock, albeit with a reggae tinge…

The Police - Synchronicity (1983) {Japan 1 st Press}  Music

Posted by popsakov at Jan. 14, 2017
The Police - Synchronicity (1983) {Japan 1 st Press}

The Police - Synchronicity (1983) {Japan 1 st Press}
EAC Rip | FLAC (Tracks) + Cue + Log + m3u ~ 247 Mb | MP3 CBR320 ~ 97 Mb
Scans (PNG, 600 dpi) ~ 70 Mb | RAR 5% Recovery
New Wave, Pop Rock | A&M Records #38XB-2

Synchronicity is the fifth and final studio album by English rock band The Police, released in the United Kingdom on 17 June 1983. The band's most successful release, the album includes the hit singles "Every Breath You Take", "King of Pain", "Wrapped Around Your Finger", and "Synchronicity II". At the 1984 Grammy Awards the album was nominated for a total of five awards including Album of the Year and won three. At the time of its release and following its tour The Police were hailed as the "Biggest Band in the World". It has since been included on their lists of the "100 Best Albums of the Eighties" and the "500 Greatest Albums of All Time". In 2009, Synchronicity was inducted into the Grammy Hall of Fame.
The Police - Synchronicity (1983) {1984, 2nd Japanese pressing, with 11 tracks}

The Police - Synchronicity (1983) {1984, 2nd Japanese pressing, with 11 tracks}
EAC Rip | FLAC (Tracks) + Cue + Log + m3u ~ 245 Mb | MP3 CBR320 ~ 107 Mb
Scans (PNG, 600 dpi) ~ 144 Mb | RAR 5% Recovery
New Wave, Pop Rock | A&M Records #38XB-2

Synchronicity is the fifth and final studio album by English rock band The Police, released in the United Kingdom on 17 June 1983. The band's most successful release, the album includes the hit singles "Every Breath You Take", "King of Pain", "Wrapped Around Your Finger", and "Synchronicity II". At the 1984 Grammy Awards the album was nominated for a total of five awards including Album of the Year and won three. At the time of its release and following its tour The Police were hailed as the "Biggest Band in the World"…

The Police - Synchronicity (1983) {1989, MFSL, UDCD 511}  Music

Posted by popsakov at Dec. 7, 2016
The Police - Synchronicity (1983) {1989, MFSL, UDCD 511}

The Police - Synchronicity (1983) {1989, MFSL, UDCD 511}
EAC Rip | FLAC (Img) + Cue + Log ~ 249 Mb | MP3 CBR320 ~ 107 Mb
Scans (JPG, 300 dpi) ~ 16 Mb | RAR 5% Recovery
Rock, Pop Rock, New Wave | A&M Records / Mobile Fidelity Sound Lab #UDCD 511

Synchronicity is the fifth and final studio album by English rock band The Police, released in the United Kingdom on 17 June 1983. The band's most successful release, the album includes the hit singles "Every Breath You Take", "King of Pain", "Wrapped Around Your Finger", and "Synchronicity II". At the 1984 Grammy Awards the album was nominated for a total of five awards including Album of the Year and won three. At the time of its release and following its tour The Police were hailed as the "Biggest Band in the World". The album has since been included on their lists of the "100 Best Albums of the Eighties" and the "500 Greatest Albums of All Time". In 2009, Synchronicity was inducted into the Grammy Hall of Fame…
The Police - Synchronicity (1983) {Non-Remastered A&M Records 393 735-2}

The Police - Synchronicity (1983) {Non-Remastered A&M Records 393 735-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 244 Mb | MP3 @320 -> 105 Mb
Full Artwork @ 600 dpi (png) -> 172 Mb | 5% repair rar
© 1983, 1991 A&M Records | 393 735-2
New Wave / Alternative Pop

Simultaneously more pop-oriented and experimental than either Ghost in the Machine or Zenyatta Mondatta, Synchronicity made the Police superstars, generating no less than five hit singles. With the exception of "Synchronicity II," which sounds disarmingly like a crappy Billy Idol song, every one of those singles is a classic. "Every Breath You Take" has a seductive, rolling beat masking its maliciousness, "King of Pain" and "Wrapped Around Your Finger" are devilishly infectious new wave singles, and "Tea in the Sahara" is hypnotic in its measured, melancholy choruses.
The Police - Ghost In The Machine (1981) {Non-Remastered A&M Records 393 730-2}

The Police - Ghost In The Machine (1981) {Non-Remastered A&M Records 393 730-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 265 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 182 Mb | 5% repair rar
© 1991 A&M Records | 393 730-2
New Wave / Alternative Pop

For their fourth album, 1981's Ghost in the Machine, the Police had streamlined their sound to focus more on their pop side and less on their trademark reggae-rock. Their jazz influence had become more prominent, as evidenced by the appearance of saxophones on several tracks. The production has more of a contemporary '80s sound to it (courtesy of Hugh Padgham, who took over for Nigel Gray), and Sting proved once and for all to be a master of the pop songwriting format.