Behind the talents of Eugene Record, the Chi-Lites presented an impeccable album featuring one gem after another. Not losing any steam from their previous album, the Chi-Lites plugged another number one song, the universally appealing "Oh Girl," which also claimed the number one spot on the pop charts. "Coldest Days of My Life" came with a placid arrangement and peaked at number eight, and "Lonely Man" was a humble extension of "Have You Seen Her." From the testimonial "Living in the Footsteps of Another Man" to the mid-tempo "Being in Love" to the ballad "Love Is," the Chi-Lites were flawless with this effort. Record is masterful with his articulation of the lyric; he stays in control of his vocals. His penmanship is phenomenal and his production skills are irreproachable. The only socially charged number is a remake of the Marvin Gaye classic "Inner City Blues (Make Me Wanna Holler)," and it's done with skillful execution.
The Chi-Lites were a Chicago-based smooth soul vocal quartet from the early 1970s, one of the few from the period to not come from Memphis or Philadelphia. They were led by Eugene Record, and scored eleven Top Ten R&B hits in the early part of the decade.
This brilliant CD series entitled "Didn't It Blow Your Mind, Soul Hits Of The 70s" is a 20-volume anthology of excellent R&B music from the 1970s. Each CD features several artists of the R&B genre, performing songs that helped to shape their generation. This is like having your very own 70s Soul Music party. Great R&B classics don't get any better than this, and Rhino brings it to you in one amazing, top-knotch series.
The unexpected death of Prince has shook the musical world, not only because of dying at an early age, but mostly, because we have lost one of the greatest talents of pop culture of the last 50 years. The Many Faces Of Prince is a heartfelt tribute to his work, and shows the lesser known facets of his career, like his beginnings as part of the funk group 94 East. You will also find his songs in versions performed by pop stars like The Art Of Noise, Ice T, Gary Numan and Sheila E. Finally, the Many Faces also takes a tour through his influences. The Many Faces Of Prince is a compendium of fantastic music that will delight not only fans of the artist but also anyone who wants to dive into the legacy of one of the greatest artists of our time.
Two of the only solo records ever cut by Chicago soul legend Eugene Record – back to back on a single CD! First up is The Eugene Record – a great solo moment from Eugene – the singer who'd rose to fame with The Chi-Lites, and who still sounds pretty darn great here on his own! The album follows strongly from the best late styles of Record's previous group – and the tunes are a mix of ballads that Eugene could always do very well, and a few more contemporary groovers used to bring a modern soul vibe to the record! Eugene produced the whole thing himself, but gets great Chicago soul help on arrangements from Tom Tom 84 and James Mack – and some of he best cuts have that loping, midtempo groove that was always a perfect fit for Record's standout vocals. Titles include the great "Here Comes The Sun" and "Overdose Of Joy" – plus "Laying Beside You", "Trying To Watch The Wind", "Mother Of Love", "Love Don't Live By Sex Alone", and "Putting it Down". Trying To Get To You is a nicely understated set from the great Eugene Record – one that really has him moving forward in a mature, masculine role after his work with The Chi-Lites! Record's a great lead act on his own – and has a sense of confidence that's nicely balanced with some of the heartbreaking tones he'd use when a bit younger – sharpened to perfection here by arranger Tom Tom 84, who finds these warm, mellow, midtempo grooves that are perfectly suited to Eugene's style! Titles include "Time", "We Belong Together", "Come To My Party", "I'm So Glad", and "Share My Life"
As soul music moved into the early '70s, it became dominated by smoother sounds and polished productions, picking up its cues from Motown, Chicago soul, and uptown soul. By the beginning of the decade, soul was fracturing in a manner similar to pop/rock, as pop-soul, funk, vocal groups, string-laden Philly soul, and sexy Memphis soul became just a few of the many different subgenres to surface. Often, the productions on these records were much more polished than '60s productions, boasting sound effects, synthesizers, electric keyboards, echoes, horn sections, acoustic guitars, and strings.
Sessions is Union Square Music’s 2CD urban and dance music range. Aimed at both the hardened dance music fan and the impulse purchaser, each Sessions title is packed full of hit singles, big club tracks and a choice selection of forgotten gems and underground classics picked out by our expert crate-digging compilers. Strong generic packaging including an outer slipcase, informative sleeve notes and a low price in the shops have made Sessions one of our most popular labels.