Speaking in Tongues is the fifth studio album by the band Talking Heads, released in 1983. The album was a commercial breakthrough that produced the band's first (and only) American Top 10 hit, "Burning Down the House", which was accompanied by a promotional video.
Beautifully put-together with classic performances and interviews, the viewer gets to see the transition from the early three-piece days (singer/songwriter/guitarist David Byrne, bassist Tina Weymouth and drummer Chris Frantz in 1975) to a quartet (keyboardist/guitarist Jerry Harrison joined in 1977), on into an ensemble of multi-cultural proportions. A deluxe edition of the release will also be available that will include a 48-page hard-cover book with photographs and an essay by the late Lester Bangs, originally published as a review of Fear Of Music for the Village Voice in 1979.
Talking Heads found a way to open up the dense textures of the music they had developed with Brian Eno on their two previous studio albums for Speaking in Tongues, and were rewarded with their most popular album yet. Ten backup singers and musicians accompanied the original quartet, but somehow the sound was more spacious, and the music admitted aspects of gospel, notably in the call-and-response of "Slippery People," and John Lee Hooker-style blues, on "Swamp." As usual, David Byrne determinedly sang and chanted impressionistic, nonlinear lyrics, sometimes by mix-and-matching clichés ("No visible means of support and you have not seen nothin' yet," he declared on "Burning Down the House," the Heads' first Top Ten hit), and the songs' very lack of clear meaning was itself a lyrical subject. "Still don't make no sense," Byrne admitted in "Making Flippy Floppy," but by the next song, "Girlfriend Is Better," that had become an order -- "Stop making sense," he chanted over and over. Some of his charming goofiness had returned since the overly serious Remain in Light and Fear of Music, however, and the accompanying music, filled with odd percussive and synthesizer sounds, could be unusually light and bouncy. The album closer, "This Must Be the Place (Naive Melody)," even sounded hopeful. Well, sort of. Despite their formal power, Talking Heads' preceding two albums seemed to have painted them into a corner, which may be why it took them three years to craft a follow-up, but on Speaking in Tongues, they found an open window and flew out of it.