A great album and the release that made Roberta Flack a major soul and R&B artist in the early '70s. She had a soft, compelling, alluring voice, and was able to convincingly switch gears and also convey anger, regret, hurt, or despair. Those who thought Flack was a one-hit wonder, or didn't think she could make the transition from doing mostly jazz to other styles, were convinced otherwise.
When Peabo Bryson and Roberta Flack teamed up in 1983 to record the Capitol album BORN TO LOVE, the pair had already experienced success as a duo thanks to the 1980 LP, Live & More (a Top 10 R&B best-selling album). By the time they headed into the studio to cut BORN TO LOVE, Bryson was six years into his recording career and had established himself as one of the premier black male vocalists of the day; Flack was already considered an internationally-renowned artist thanks to classic recordings such as ‘The First Time Ever I Saw Your Face’ and ‘Killing Me Softly With His Song.’
' song catalog is one of the best-known and revered bodies of work in the whole of modern music, and the depth, variety, and timelessness of the songs this once-in-a-lifetime band produced make that catalog both a marvel and a treasure. Everyone knows these songs, and everyone knows them in the original Beatles versions. Those versions are there, shining in stone, and even when they show up in remixes like in the recent LOVE mashup, the original recordings echo unshakably in the mind. knows this. On , she tackles 12 of the group's songs - 11 written by and and one written by George Harrison - and she knows full well that she's dealing with the ghosts of the original versions.
I'm the One is an album by Roberta Flack released in May 1982 which reached #59 on the album chart in Billboard whose R&B album chart afforded the album a #16 peak.
is the third studio album by American singer-songwriter , released in November 1971 by Atlantic Records. It was recorded at Atlantic Recording Studios, Regent Studios, and The Hit Factory in New York City. The album peaked at number 18 on the Billboard Top LPs & Tape, and its single charted at number 76 on the Hot 100.
Classy, urbane, reserved, smooth, and sophisticated all of these terms have been used to describe the music of Roberta Flack, particularly her string of romantic, light jazz ballad hits in the 1970s, which continue to enjoy popularity on MOR-oriented adult contemporary stations. Flack was the daughter of a church organist and started playing piano early enough to get a music scholarship and eventually, a degree from Howard University. After a period of student teaching, Flack was discovered singing at a club by jazz musician Les McCann and signed to Atlantic.
In 1988, Roberta Flack made a comeback after a long hiatus away from the recording studios with a new album of songs in the adult contemporary vein. Using a vast array of top session musicians whose names would easily fill a page and crowd out liner notes, "Oasis" was released to public indifference, even though the title track did hit #1 on the R & B charts.
From her humble beginnings in Arlington, Virginia, Roberta Flack rose to global stardom with her soulful renditions of The First Time Ever I Saw You Face and Killing Me Softly With His Song, both songs earning her Grammy Record Of The Year awards in 1973 and 1974 respectively. This memorable concert performance recorded with the Edmonton Symphony Orchestra at the height of her success in 1975 is testament to her singing talent and features many of her greatest hits.
By the '90s, Roberta Flack had completely immersed herself in the adult contemporary portion of the radio world, and this 1991 album is concrete proof of that. Largely based on collaborations with fellow adult radio singer Maxi Priest, Set the Night to Music is an odd assortment of standards with a few new compositions thrown in here and there for good measure. No doubt, the album's title track is the standout hit, and one of the biggest commercial successes in Flack's esteemed career. But there are also small surprises here and there on the album, including a stirring rendition of Nat King Cole's "Unforgettable" and the Bell-Creed Philly soul classic "You Make Me Feel Brand New." The production values and choice of instrumentation give this album a slightly dated feel, with a greater emphasis placed on polished synthesizers over the warm tones of a Fender Rhodes or grand piano, but all in all it's a strong album that presents Flack's classy, distinct vocal styling in a palatable fashion.