This is the second and final disc in a cycle of Sergei Prokofiev’s piano concertos with pianist Olli Mustonen and the Finnish Radio Symphony Orchestra conducted by Hannu Lintu. Of the first volume, Gramophone wrote: 'How many times have I regretted a shortage of fantasy, flair and fairy-tale imagination in recordings of the Prokofiev piano concertos? Well, here is a disc that takes all those qualities to the top'.
Since pianist Yuja Wang and conductor Gustavo Dudamel count among Deutsche Grammophon’s young superstars, it was inevitable that they collaborate on disc. In the Rachmaninov Third Concerto Wang’s tendency to reverse accents and make sudden pianissimo plunges at certain climactic moments borders on mannerism (what’s with that momentum-breaking comma right before the first-movement development section Allegro?), but the piano part’s swirling textures benefit from Wang’s fanciful voicings, imaginative rubatos, and frisky, dead-on accurate fingerwork.
Winner of the gold medal in the 2013 Van Cliburn International Piano Competition, Vadym Kholodenko has impressed audiences with his dynamic playing and compelling interpretations of Romantic and modern repertoire. This Harmonia Mundi hybrid SACD presents Kholodenko with Miguel Harth-Bedoya and the Fort Worth Symphony Orchestra in a pair of piano concertos by Sergey Prokofiev that fully show the pianist's artistry and virtuosity.
The young Kissin was able to work wonders in Prokofiev–above all the Sixth Sonata (Kissin in Tokyo - Yevgeny Kissin). Regrettably, the mature Kissin recently delivered highly disappointing live performances of the Second and Third Concertos (Prokofiev: Piano Concertos Nos. 2 & 3), indeed, regardless of the predictable rave in the British press. This 1994 recording of the First and Third Concertos is unquestionably very good, especially the youthful First, although competition is very strong–from Graffman/Szell (Prokofiev: Piano Concertos Nos. 1 & 3) and Argerich/Dutoit (Prokofiev: Piano Concertos Nos. 1 & 3 / Bartok: Piano Concerto No. 3) in this coupling, and from the complete sets by Berman/Gutierrez/Järvi, Toradze/Gergiev and Krainev/Kitaenko.
This awaited release is the first disc in a series of Olli Mustonen and the Finnish Radio Symphony Orchestra conducted by Hannu Lintu performing the Piano Concertos by Sergei Prokofiev. Without a doubt some of the most substantial twentieth century masterworks, Prokofievs piano concertos prove the composers brilliant piano skills. The composer premiered his First Piano Concerto in 1914. The Third Piano Concerto is the most popular of Prokofievs concertos. The piece took several years to complete, and premiered in Chicago in 1921. Prokofievs Fourth Piano Concerto (for the left hand) is the most rarely heard of the three concertos featured on this recording.
The exclusive Chandos artist Jean-Efflam Bavouzet performs all five of Prokofiev’s formidable piano concertos in partnership with Gianandrea Noseda and the BBC Philharmonic. The flair of Bavouzet for powerful twentieth-century repertoire was made clear in his recording of Bartók’s Piano Concertos, described by The Daily Telegraph as ‘vibrant in colour, vital in rhythm and detail, and viscerally exciting in impact’.
Twenty-four year old Chinese pianist Yuja Wang is widely recognized for playing that combines the spontaneity and fearless imagination of youth with the discipline and precision of a mature artist. Regularly lauded for her controlled, prodigious technique, Yuja’s command of the piano has been described as “astounding” and “superhuman,” and she has been praised for her authority over the most complex technical demands of the repertoire, the depth of her musical insight, as well as her fresh interpretations and graceful, charismatic stage presence.