Box sets are difficult phenomena. Their cost is often prohibitive, and the weight of outtakes, alternate takes, chronological corrections, and myriad other completist elements make them sometimes less listenable than the original recordings…
"Mojo Presents A Compendium Of Progressive Sounds". Given free with Mojo magazine,May,2017. Standard (album) CD case with clear tray. Ulver, Hawkwind, Public Service Broadcasting and many others.
Brian Henson, the son of Muppet founder Jim Henson, took over directing duties after the untimely death of his father for The Muppet Christmas Carol, a sluggish re-telling of the Charles Dickens tale. Michael Caine, surrounded by legions of fuzzy, felt puppets, plays it straight as the crotchety Ebenezer Scrooge, an old miser who could care less about Christmas and the joy the season brings. Working for the skinflint is his faithful employee Bob Cratchit (Kermit the Frog), who begs Scrooge for a day off for Christmas. Scrooge reluctantly agrees and goes home on Christmas Eve filled with bile at the holiday merrymakers. But then he is visited by the sprits of Christmas Past, Present, and Future, and Scrooge, after revisiting his sorrowful past, hate-filled present, and doomed future, turns over a new leaf and becomes the most generous and celebratory person in town.
Filmed with Panavision cameras and lenses on 35mm film with 26 cameras, including one helicopter, AC/DC: Live at Donington is presented in high definition 1080p on this Blu-ray Disc release in its original 1.78:1 aspect ratio. For this release, Sony-BMG and Columbia Music Video have provided three listening options: 48kHz/24bit PCM stereo, Dolby Digital 5.1 (640 kbps) and PCM 5.1 48kHz/24bit. Because of the use of so many cameras from various distances and the differing levels of lighting throughout the performance the quality of the picture does vary, often times from one shot to the next, but this has more to do with the things I've mentioned than with the encoding. For example, in certain darker shots from more distant cameras, there is a higher level of grain present than in well-lit shots from cameras closer to or actually on the stage where little to no grain can be seen at all.