Ever curious, courageous and endlessly creative, virtuoso guitarist and musical mastermind Pat Metheny takes on John Zorn’s Masada songbook to create some of the most soulful and adventurous sounds yet heard in the Book of Angels series. Turn up the volume and revel in the breadth of imagination in these remarkable arrangements featuring Pat on a huge arsenal of instruments, and the powerful Antonio Sanchez on drums. Pat Metheny continues to surprise and experiment with new musical frontiers well into the 21st century. Released in coordination with Nonesuch, this is a match made in Heaven—essential!
This late-'80s work finds the minimalist composer mixing acoustic and taped material to great effect. The disc's centerpiece is "Different Trains," a work that frames Reich's impressions of his boyhood train trips between his mother in Los Angeles and his father in New York; Reich also intersperses references to the much more harrowing train rides Jews were forced to take to Nazi concentration camps. Using the fine playing of the Kronos Quartet as a base, Reich layers the work with the taped train musings of his governess, a retired Pullman porter, and various Holocaust survivors – vintage train sounds from the '30s and '40s add to the riveting arrangement. And for some nice contrast, Reich recruits guitarist Pat Metheny to create a similarly momentous piece in "Electric Counterpoint" (Metheny plays live over a multi-tracked tape of ten guitars and two electric basses). Two fine works by Reich in his prime.
Although one often thinks of Jaco Pastorius' first solo album as being 1976's Jaco on Epic, producer/keyboardist Paul Bley actually gave Pastorius his first chance to lead a recording two years earlier. Coincidentally titled Jaco, this spontaneous set (which has been reissued on CD) is also significant for being among guitarist Pat Metheny's first recordings; completing the quartet are Bley on electric piano and drummer Bruce Ditmas. The music consists of three songs by Bley, five from Carla Bley, and "Blood" by Annette Peacock. Pastorius sounds quite powerful, but Metheny's tone is kind of bizarre, very distorted and not at all distinctive at this point.
This is a soul-stirring release performed by Pat Metheny and a plethora of friends, all great jazz musicians in their own right. Works II is a compilation of his finest work, spread out from the years 1976 to 1984. This guitarist/composer/bandleader became one of the leading names in the jazz genre during the '70s and '80s. This collection of beautifully written numbers reflects his character of good taste and the unique flavor of his graceful, even-flowing solos. Opening with "Unquity Road," Metheny is joined by the legendary Jaco Pastorius on bass and Bob Moses on drums. The soothing sweeping tones of his guitar blends in charmingly with Moses pulsating percussion and the rousing basslines of Pastorius.
This live American concert in 1992 emerged on cd at about the same time as the Geffen release "The road to you" which was culled from PMG's european concerts in the early 90's. While this current selection may not quite equal that release in the quality of the sound, it is a much better live performance overall. There are a couple of small blips in the performance but this is live and taken from one concert. Raw Metheny but edge of your seat performance.
Once you’ve heard Pat Metheny you will always recognise him, no matter what company he’s in or what instrument he’s playing, be it a simple acoustic guitar or some unlikely invention of his own. Beneath it all there’s a frank, open-hearted tunefulness that keeps the music airborne. This double album, recorded at the end of a year-long tour by his Unity Band, is as polished and sophisticated as any, but moments such as the opening melody of This Belongs to You or the gradual unfolding of Born are just plain elegant. There’s a similar quality about saxophonist Chris Potter’s playing, and all four are so relaxed in each other’s company that everything flows beautifully.
Despite the somewhat misleading title, Cuong Vu Trio Meets Pat Metheny, trumpeter Cuong Vu has a lengthy history with the legendary jazz guitarist that goes back to Metheny's Grammy-winning 2002 album, Speaking of Now. Since then, Vu has played with Metheny enough that he is a regular part of the conversation when discussing the guitarist's more adventurous contemporary works. Despite his pedigree, having graduated from the New England Conservatory and worked with such luminaries as David Bowie, Myra Melford, Laurie Anderson, and others, Vu is a maverick. A highly gifted, forward-thinking musician, Vu often eschews the more clarion, declarative aspects of his chosen instrument in favor of macabre growls, dampened tones, and improvisatory lines that skitter forth with the mad convulsions of a housefly.
This album finds guitarist Pat Metheny on solid ground. It's a typical post-bop with a vaguely Latin feel. Metheny hooks up with his regular partners, Christian McBride on double bass and Antonio Sanchez on drums. As you'd expect for musicians who have played hundreds of dates together they're very comfortable in each other's company.