To mark the 500th anniversary of the birth of Tallis, here are his biggest and best church compositions, performed in its customary high style by the Oxford Camerata under Jeremy Summerly (whose Fauré Requiem remains one of Naxos's all-time bestsellers). Tallis's youthful motet Salve intemerata is among the longest single-movement works of the 16th century, but it is Spem in alium, a work of Tallis's maturity, that overshadows any other English piece of the period, including those of his great contemporary, William Byrd. Scored for 40 independent voices, it is symphonic in proportion and resplendent in this surround-sound version.
Limited edition 100 CD box set on the premiere classical label Deutsch Grammophon. Subtitled from Gregorian Chant to Gorecki. For some it will be the ultimate reference tool. For others a big place to start on something they always wanted to know about. Either way, the idea is to present a comprehensive history of Classical Music from its origins to the present day, covering all periods, including all major composers.
This is a very good collection of Gesualdo's sacred motet style, performed beautifully. Most of these pieces are much more conservative and less chromatic than his madrigals, but they are exquisite and expresive and every bit as competent as the styles of contemporaries such as Gesualdo's alter-ego, Palestrina. Much of this music makes his mental turmoil and fear of damnation over his infamous murders achingly clear, especially the disturbing mode changes and chromaticism on parts of the text that say things like "have mercy on me" and words like "my sorrow and "my tears".