Monteverdi Berberian

Cathy Berberian a Hommage (Walton, Monteverdi, Debussy, Stravinsky, Cage, Gerschwin, Purcell) [1997]

Cathy Berberian a Hommage (Bernasconi, Travis; W. Walton, Cl. Monteverdi, Cl. Debussy,
I. Stravinsky/Стравинский, J. Cage, G. Gerschwin, H. Purcell) [1997]

EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 315 MB
Classical | Label: Accore / MPO, France | Catalog Number: 205722 | TT: 70’55

Catherine Anahid Berberian (July 4, 1925 – March 6, 1983) was an American soprano and composer. She interpreted contemporary avant-garde music composed, among others, by Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Sylvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky. She also interpreted works by Claudio Monteverdi, Heitor Villa-Lobos, Kurt Weill, Philipp Zu Eulenburg, arrangements of songs by The Beatles, and folk songs from several countries and cultures. As a composer, she wrote Stripsody (1966), in which she exploits her vocal technique using comic book sounds (onomatopoeia), and Morsicat(h)y (1969), a composition for the keyboard (with the right hand only) based on Morse code.
The Heritage Of Monteverdi - La Fenice, Jean Tubéry (2017) {Ricercar Official Digital Download RIC 374}

The Heritage Of Monteverdi - La Fenice, Jean Tubéry (2017) {Ricercar Official Digital Download RIC 374}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (qobuz.com) -> 1.79 Gb | MP3 @320 -> 0.98 Gb
Full Artwork (pdf+jpg) -> 85 Mb | 5% repair rar
© 2017 Ricercar / Outhere Music | RIC 374
Classical / Baroque

These seven discs recorded between 1995 and 2000 make up a fabulous anthology of early seventeenth-century Italian music. A large number of composers are gathered round the central figure of Claudio Monteverdi; while some of them, like Salomone Rossi, Biagio Marini and Dario Castello, are among the musicians with whom he worked in Mantua or Venice, others illustrate the extraordinary musical creativity of the period, whether it be Sigismondo d’India, Tarquinio Merula, Francesco Cavalli, Alessandro Grandi, or so many other lesser-known personalities, each of whom helped to build the rapidly growing edifice of Italian Baroque music.
Cappella Mediterranea, Leonardo Garcia Alarcon - Monteverdi-Piazzolla: Una Utopia Argentina (2012) [24/96]

Cappella Mediterranea, Leonardo Garcia Alarcón - Monteverdi-Piazzólla: Una Utopia Argentina (2012)
FLAC (tracks) 24-bit/96 kHz | Time - 71:41 minutes | 1,44 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

This innovative programme, created at Ambronay Festival in 2009 by the Argentine Leonardo García Alarcón chief sees musicians alternate between baroque and modern instruments to interpret the most beautiful pages of Astor Piazzólla (Milonga del Angel, Ballada para un loco) and Claudio Monteverdi (Lamento della ninfa, Orfeo). During the extensive live tour of this project in 2009, members of the audience pointed out that in the end they didn't know where Monteverdi stopped and Piazzolla began.
Marco Beasley - Accordone - Il sogno d'Orfeo (Monteverdi, Purcell, Calestani, Strozzi, Pagano) [2000]

Marco Beasley - Accordone - Il sogno d'Orfeo (Monteverdi, Purcell, Calestani, Strozzi, Pagano) [2000]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 264 MB
Classical | Label: ORF | Catalog Number: CD247 | TT: 54’18

Live record from a concert in the "Resonanzen 1999" series, Wiener Konzerthaus 1999.
Monteverdi - A voce sola, con Sinfonie (Roberta Invernizzi; Accademia Strumentale Italiana; Alberto Rasi) [2002]

Monteverdi - A voce sola, con Sinfonie (Roberta Invernizzi; Accademia Strumentale Italiana; Alberto Rasi) [2002]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 245 MB
Classical | Label: Stradivarius | Catalog Number: STR 33562 | TT: 60:27

Claudio Giovanni Antonio Monteverdi (15 May 1567 (baptized) – 29 November 1643) was an Italian composer, gambist, singer and Roman Catholic priest.
Monteverdi's work, often regarded as revolutionary, marked the transition from the Renaissance style of music to that of the Baroque period.[1] He developed two individual styles of composition – the heritage of Renaissance polyphony and the new basso continuo technique of the Baroque.[2] Monteverdi wrote one of the earliest operas, L'Orfeo, an innovative work that is the earliest surviving opera that is still regularly performed. He was recognized as an innovative composer and enjoyed considerable fame in his lifetime.
Monteverdi - Madrigali guerrieri et amorosi (Miroslav Venhoda, Prague Madrigal Singers) [1997]

Monteverdi - Madrigali guerrieri et amorosi (Miroslav Venhoda, Prague Madrigal Singers) [1997]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 236 MB
Classical | Label: Supraphon a.s. | Catalog Number: SU 3294-2 211 | TT: 45:55

Claudio Giovanni Antonio Monteverdi (15 May 1567 (baptized) – 29 November 1643) was an Italian composer, gambist, singer and Roman Catholic priest.
Monteverdi's work, often regarded as revolutionary, marked the transition from the Renaissance style of music to that of the Baroque period.[1] He developed two individual styles of composition – the heritage of Renaissance polyphony and the new basso continuo technique of the Baroque.[2] Monteverdi wrote one of the earliest operas, L'Orfeo, an innovative work that is the earliest surviving opera that is still regularly performed. He was recognized as an innovative composer and enjoyed considerable fame in his lifetime.

Huelgas Ensemble - The Mirror of Claudio Monteverdi (2016)  Music

Posted by LoveHive at Nov. 29, 2016
Huelgas Ensemble - The Mirror of Claudio Monteverdi (2016)

Huelgas Ensemble - The Mirror of Claudio Monteverdi (2016)
Classical, Choral | MP3 CBR 320 kbps | 00:59:05 | 136 MB
Label: Deutsche Harmonia Mundi

Monteverdi was a pioneer of the musical style we now call Baroque, but the Mass on this record is in classic Renaissance style and the music might have been written in the 1500s rather than the 1600s.
Claudio Monteverdi - Kölner Kammerchor / Peter Neumann - Madrigals (1996, MDG "Gold" # 332 0081-2) [RE-UP]

Claudio Monteverdi - Madrigals
Kölner Kammerchor / Peter Neumann
EAC+LOG+CUE | FLAC: 191 MB | Full Artwork: 65 MB | 5% Recovery Info
Label/Cat#: MDG "Gold" # 332 0081-2 | Country/Year: Germany 1996
Genre: Classical | Style: Late Renaissance, Early Baroque, Vocal

„… the release of a special audiophile treat. It is not without reason that French critics have just awarded the choir the ‘Diapason d’or’ prize.“ (K Int’l)
VA - The All-Baroque Box From Monteverdi To Bach: Limited Edition Box Set 50CDs (2012)

VA - The All-Baroque Box From Monteverdi To Bach: Limited Edition Box Set 50CDs (2012)
Baroque, Classical | MP3 CBR 320 kbps | 7,65 Gb
Label: Deutsche Grammophon | Release Year: 2012

With The All-Baroque Box we realize one of our fondest dreams: harnessing the deep catalogue of Archiv Produktion (supplemented on occasion by Decca L oiseau lyre recordings) to create a comprehensive collection of great music from Monteverdi to Bach. The music ranges from huge Baroque (Missa Salisburgensis, Venetian polychoral, Charpentier Te Deum) to intimate Baroque (the Goldberg Variations, Bach cello suites, solo cantatas) overwhelming in its impact and emotional content.
Monteverdi - Vespro della Beata Vergine (John Eliot Gardiner) (2003/1989)

Monteverdi - Vespro della Beata Vergine (John Eliot Gardiner) (2003/1989)
NTSC 4:3 (720x480) VBR | Latin (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | (DTS, 5 ch) | 7.80 Gb (DVD9) | 90 min + 20 min (bonus)
Classical | Deutsche Grammophon | Sub: Deutsch, Francais, Espanol, Chinese

“This large-scale live recording (Gardiner's second) was made in Venice's St Mark's Basilica. It captures the drama as well as the ceremonial aspect of the work, despite sometimes cloudy recorded sound.” Gramophone Classical Music Guide. “Gardiner's second [recording of the Vespers], spectacularly recorded live in St Mark's, has a punchy choral sound, near-operatic solo singing (Bryn Terfel and Alistair Miles are among the basses), emphatic enunciation, big contrasts and deliberate exploitation of the building's spaces. Its outright theatricality sets it apart from other performances.” Gramophone Magazine.