Miles Davis Nickel

Miles Davis - The Complete On The Corner Sessions (2007) {6CD Box Set Columbia 886970 6239 2 rec 1972-1975}

Miles Davis - The Complete On The Corner Sessions (2007) {6CD Box Set Columbia 886970 6239 2 rec 1972-1975}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.73 Gb | MP3 @320 -> 964 Mb
Full Artwork @ 300 dpi (png) -> 541 Mb | 5% repair rar
© 1972-75, 2007 Columbia / Legacy / Sony BMG Music | 886970 6239 2 | 24bit remastering
Jazz / Fusion / Jazz-Funk / Jazz-Rock / Free Funk / Funk

From the opening four notes of Michael Henderson's hypnotically minimal bass that open the unedited master of "On the Corner," answered a few seconds later by the swirl of color, texture, and above all rhythm, it becomes a immediately apparent that Miles Davis had left the jazz world he helped to invent – forever. The 19-minute-and-25-second track has never been issued in full until now. It is one of the 31 tracks in The Complete On the Corner Sessions, a six-disc box recorded between 1972 and 1975 that centers on the albums On the Corner, Get Up with It, and the hodgepodge leftovers collection Big Fun. It is also the final of eight boxes in the series of Columbia's studio sessions with Davis from the 1950s through 1975, when he retired from music before his return in the 1980s. Previously issued have been Davis' historic sessions with John Coltrane in the first quintet, the Gil Evans collaborations, the Seven Steps to Heaven recordings, the complete second quintet recordings, and the complete In a Silent Way, Bitches Brew, and Jack Johnson sessions. There have been a number of live sets as well; the most closely related one to this is the live Cellar Door Sessions 1970, issued in 2005.

Lettuce - Witches Stew: A Tribute to Miles Davis (2017)  Music

Posted by Pisulik at Oct. 16, 2017
Lettuce - Witches Stew: A Tribute to Miles Davis (2017)

Lettuce - Witches Stew: A Tribute to Miles Davis (2017)
WEB FLAC (Tracks) - 459 MB | Cover | MP3 CBR 320 kbps - 158 MB | 01:08:57
Jazz, Funk, Fusion | Label: Lettuce Records

It's a daunting task but a laudable ambition to afford direct tribute to a musician as iconic as Miles Davis and a work of his equal in stature, Bitches Brew (Columbia, 1970). But like the ensembles before them that revisited this bonafide classic, including the World Saxophone Quartet, Lettuce prove up to the task. In fact, he octet tender their homage, Witches Stew, in such a way it suggests 'The Man with the Horn,' were he still living, might well look the band for inspiration as he did Jimi Hendrix and Sly and the Family Stone at the time of the original recordings.
Miles Davis - Miles Davis and The Modern Jazz Giants (1954/1959/2017) [Official Digital Download 24/192]

Miles Davis - Miles Davis and The Modern Jazz Giants (1954/1959/2017)
FLAC (tracks) 24-bit/192 kHz | Time - 42:09 minutes | 1,08 GB
Studio Master, Official Digital Download | Artwork: Front cover

Including sessions recorded the same day as those on Bags Groove, this album includes more classic performances from the date that matched together trumpeter Miles Davis, vibraphonist Milt Jackson, pianist Thelonious Monk, bassist Percy Heath, and drummer Kenny Clarke. Davis and Monk actually did not get along all that well, and the trumpeter did not want Monk playing behind his solos. Still, a great deal of brilliant music occurred on the day of their encounter, including "The Man I Love," "Bemsha Swing," and "Swing Spring."

Miles Davis - Blue Haze (1954) {Prestige}  Music

Posted by tiburon at Oct. 4, 2017
Miles Davis - Blue Haze (1954) {Prestige}

Miles Davis - Blue Haze (1954) {Prestige}
EAC 0.95b4 | FLAC tracks | Cue+Log+M3U | Full Scans 300dpi | 247MB + 5% Recovery
MP3 CBR 320 Kbps | 85MB + 5% Recovery
Genre: Hard Bop

This CD reissue features trumpeter Miles Davis with three different pickup recording groups that are full of fellow all-stars. "Tune-Up," "Miles Ahead," "When Lights Are Low" (which uses slightly different chord changes than its composer Benny Carter originally intended), and "Smooch" find Davis joined by pianist John Lewis (Charles Mingus plays piano on "Smooch"), bassist Percy Heath, and drummer Max Roach. With pianist Horace Silver, bassist Heath, and drummer Art Blakey offering solid accompaniment, Davis introduces "Four" and performs "Old Devil Moon" and "Blue Haze." Finally, with altoist Dave Schildkraut, Silver, Heath, and drummer Kenny Clarke, Miles jams through "I'll Remember April." Although not as essential as the trumpeter's classic Quintet records of 1955-1956, several of the performances (most notably "Tune-Up" and "Four") are quite memorable, and the straight-ahead playing is of consistently high quality.
Miles Davis - Bags' Groove (1957) [Analogue Productions’ Prestige Mono Series, Remastered 2014] Audio CD Layer

Miles Davis - Bags' Groove (1957)
Mastered by Kevin Gray at Cohearent Audio, 2014, Audio CD Layer
EAC | FLAC | Tracks (Cue&Log) ~ 250 Mb | Mp3 (CBR320) ~ 139 Mb | Scans included | 00:46:21
Bop, Hard Bop, Trumpet Jazz | Label: Analogue Productions, Prestige | # CPRJ 7109 SA

Hybrid Mono SACD for sale individually and as part of Analogue Productions’ Prestige Mono Series, Mini "old style" gatefold jacket packaging. There are a multitude of reasons why Bags' Groove remains a cornerstone of the post-bop genre. Of course there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session – featuring Thelonious Monk – which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis' practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver's (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering. Indeed, Davis' choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed.

Miles Davis - Transmission Impossible (2016) [Bootleg]  Music

Posted by delpotro at Oct. 3, 2017
Miles Davis - Transmission Impossible (2016) [Bootleg]

Miles Davis - Transmission Impossible (2016)
EAC Rip | FLAC (tracks+log+.cue) - 1,35 Gb | Scans - 6 Mb | 03:59:14
Jazz | Label: Eat To The Beat

3 CD Set Featuring Classic Live Recordings From Miles Davis. Featuring material from live broadcasts from Rotterdam 1967, Boston 1972, Tokyo 1975, and Fukuoka 1981. With enthusiasm for the music of Miles Davis stretching way further than that for any other Jazz musician who ever produced a note, and the new bio-pic movie about Miles' life creating even more interest, the time could not be better for the release of this 3 CD Collection of rare live material from the maestro. Featuring recordings from; Rotterdam 1967, Boston 1972, Tokyo 1975, Fukuoka (Japan) in 1981, and even a bonus cut from Tokyo in 1985, this mixed bag of eras and styles illustrates well the pre and post mid 1970s hiatus Miles Davis, a period highlighted in the aforementioned new film.
Miles Davis Sextet - Someday My Prince Will Come (1961) [Analogue Productions, Remastered 2010] Audio CD Layer

Miles Davis Sextet - Someday My Prince Will Come (1961)
Mastered by George Marino at Sterling Sound, 2010
XLD | FLAC | Tracks (Cue&Log) ~ 280 Mb | Mp3 (CBR320) ~ 116 Mb | Scans included
Hard Bop, Cool Jazz | Label: Analogue Productions | # CAPJ 8456 SA | 00:42:13

After both John Coltrane and Cannonball Adderley left Miles Davis' quintet, he was caught in the web of seeking suitable replacements. It was a period of trial and error for him that nonetheless yielded some legendary recordings (Sketches of Spain, for one). One of those is Someday My Prince Will Come. The lineup is Davis, pianist Wynton Kelly, bassist Paul Chambers, and alternating drummers Jimmy Cobb and Philly Jo Jones. The saxophonist was Hank Mobley on all but two tracks. John Coltrane returns for the title track and "Teo." The set opens with the title, a lilting waltz that nonetheless gets an original treatment here, despite having been recorded by Dave Brubeck. Kelly is in keen form, playing a bit sprightlier than the tempo would allow, and slips flourishes in the high register inside the melody for an "elfin" feel. Davis waxes light and lyrical with his Harmon mute, playing glissando throughout. Mobley plays a strictly journeyman solo, and then Coltrane blows the pack away with a solo so deep inside the harmony it sounds like it's coming from somewhere else.
Miles Davis - Rare Unreleased Broadcasts with John Coltrane, Sonny Rollins and Bill Evans (1952-1958) {Yadeon 502}

Miles Davis - Rare Unreleased Broadcasts with John Coltrane, Sonny Rollins and Bill Evans (1952-1958) {Yadeon 502}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 361 Mb | MP3 @320 -> 153 Mb | Artwork | 5% repair rar
© 1952-1958 Yadeon Canada | 502
Jazz / Bop / Cool / Trumpet

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz musician, trumpeter, bandleader, and composer. Widely considered one of the most influential musicians of the 20th century, Miles Davis was, together with his musical groups, at the fore front of several major developments in jazz music, including BeBop, Cool Jazz, Hard Bop, Modal Jazz, and Jazz Fusion.

Miles Davis & Quincy Jones - Live At Montreux (1993) {Warner Bros.}  Music

Posted by TestTickles at Sept. 30, 2017
Miles Davis & Quincy Jones - Live At Montreux (1993) {Warner Bros.}

Miles Davis & Quincy Jones - Live At Montreux (1993) {Warner Bros.}
EAC Rip | FLAC with CUE and log | scans | 356 mb
MP3 CBR 320kbps | RAR | 145 mb
Genre: jazz, big band

Live At Montreux is a 1993 live album by Miles Davis & Quincy Jones. This was recorded at the 25th anniversary of The Montreux Jazz Festival on 8 July, 1991, two months before Davis' passing. This was released in the U.S. by Warner Bros. Records.
Miles Davis - The Complete Live At The Plugged Nickel 1965 (1995) {8CD Box Set Columbia CXK 66955}

Miles Davis - The Complete Live At The Plugged Nickel 1965 (1995) {8CD Box Set Columbia CXK 66955}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.72 Gb | MP3 @320 -> 1.04 Gb
Full Artwork @ 300 dpi (jpg) -> 38 Mb | 5% repair rar
© 1965, 1995 Sony Music / Columbia / Legacy | CXK 66955
Jazz / Hard Bop / Modal Music / Post Bop

This eight-CD set captures Miles Davis's second great quintet at its fiercest, loose with both the blossoming of familiarity between the players and the broadness of its attacks on the mostly well known tunes the group called during two nights at Chicago's Plugged Nickel in 1965. And you can hear it all, from "The Theme" that closed the quintet's sets to multiple, radically different takes of several tunes. Davis formed this band with just its heated potential in mind, opting for youth in Wayne Shorter's tenor sax, Herbie Hancock's piano, Ron Carter's bass, and, especially, Tony Williams's unlocked rhythmic energy.