Deluxe 71 disc box set that contains 52 single CD and double CD albums (which includes the previously unreleased full-length audio version of his 1970 Isle Of Wight performance). The essay is complemented by brief annotations written by Franck Bergerot, covering every single one of the 52 albums. The cornerstones of the box set are the studio and live albums that were released during his tenure at the label, more than 40 titles that he recorded in the 1950s, '60s, '70s and '80s.
Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. This stunning live set has been hailed by many as one of the finest moments of Miles' mid 60s career – music played with a frenetic energy that even blows away the famous studio sessions of the time! The group here is a landmark lineup – young modernists Wayne Shorter on tenor, Herbie Hancock on piano, and Tony Williams on drums – all reaching out to really increase their craft, and work through new ideas alongside Miles' trumpet.
Replacing the previous records Cookin' at the Plugged Nickel and Live at the Plugged Nickel, Highlights from the Plugged Nickel collects a handful of tracks from the mammoth eight-CD set The Complete Live at the Plugged Nickel 1965. Two of the tracks on Highlights are songs that were issued in their complete versions on the box, but that isn't what makes the album preferable to Cookin' and Live. On Highlights, the fidelity is stunning and the selection is first-rate – the disc flows like one of the original concerts captured on the box. For listeners who don't want to invest in the box, Highlights is a worthwhile purchase.
This eight-CD set captures Miles Davis's second great quintet at its fiercest, loose with both the blossoming of familiarity between the players and the broadness of its attacks on the mostly well known tunes the group called during two nights at Chicago's Plugged Nickel in 1965. And you can hear it all, from "The Theme" that closed the quintet's sets to multiple, radically different takes of several tunes. Davis formed this band with just its heated potential in mind, opting for youth in Wayne Shorter's tenor sax, Herbie Hancock's piano, Ron Carter's bass, and, especially, Tony Williams's unlocked rhythmic energy. It does the mind good when listening to these takes on "If I Were a Bell," "Stella by Starlight," and the polarizing "All Blues" and "No Blues" that Williams was under 20 when punching this group's forward motion. These live shows make clear that Davis was a savvy cat, sticking to the tried 'n' true when playing live and then indulging new tunes that eschewed formulaic jazz structures on the string of his new quintet's explosive studio recordings that began months earlier with E.S.P. (all of them found on the Grammy-winning Complete Columbia Studio Sessions, 1965-'68 box set). But the Plugged Nickel tunes show that familiar or not, these tunes are platforms for scrappy creative apexes when played live. Davis's trumpet is typically midrange, except when he deconstructs even his own range limitations with squawks and artful miscues. Shorter braves convolutions that tear into his tone, taking his solos far afield from the harmony and melodies at hand only to reshape the tunes. As live jazz, this collection is possibly some of the best in recorded history, adventurous without leaving the ears boxed and powerfully enlightening about where Miles Davis would go in the 1960s.
The explosive transformation of Miles Davis’ “second great Quintet” with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on this release. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the program spans five northern European festival performances over the course of nine days in October-November 1967. The audio shows consist entirely of previously unreleased or previously only bootlegged material. This is a 3-CD + DVD package, with an 8-panel digipak with 28-page booklet.