I Solisti Veneti is one of the first rank of small Italian chamber orchestras with modern instruments. Founded in Padua in 1959 by Claudio Scimone, it has made a reputation especially with Italian Baroque music, recording many works by Antonio Vivaldi, Tomaso Albinoni, Francesco Geminiani, Benedetto Marcello and Giuseppe Tartini. Giuliano Carmignola and Piero Toso were two of the soloists in the ensemble. The group has made over 300 recordings, many on the Erato record label. A number of these were first-ever recordings of works of Vivaldi, Albinoni and Rossini.
VIVARTE is the legendary Sony Classical period music label known for producing outstanding recordings on period instruments. The recordings by legendary producer Wolf Erichson are done with the best recording technologies and by one of the best production teams in the world (Tritonus Music Production, Stuttgart). The label started producing when Sony Classical was founded (in 1989). The production came to a standstill recently when Wolf Erichson retired and DHM became the new label of period music within Sony Classical. Among the outstanding artists which recorded for Vivarte are: Anner Bylsma, Gustav Leonhardt, Jos Van Immerseel, Tafelmusik, Huelgas Ensemble and others.
…And, in fact, Elias has rarely been performed with greater respect for the original than it is here under the conductor Christoph Spering, who has recorded this “sacred opera” with his New Orchestra and the Chorus Musicus Köln in Essen’s Philharmonic Hall with the composer’s “dramatic ideal” fully in mind and heart. (…) The result was in fact an oratorio in opera form and a wealth of dramaturgical elements that absolutely enthralled the public. Fresh Interpretation Just as the composer would have wanted it, Christoph Spering has selected a full chorus and a magnificently dimensioned orchestra for this recording. The New Orchestra performs on historical instruments and in the two years since its founding has gained renown as an outstanding interpreter of the music of the romantic era. (…) Brisk tempos, sharp delineation, powerful expression, and interpretive freshness are the hallmarks of this new discovery for the MDG Live label.
"…The sound has remarkable little tape hiss, and is typical of the Boston recordings from this source. The strings are warm and solid, the brass not as piercing and obviously virtuostic as at Chicago, the stereo spread rather wide but without a hole in the middle, the orchestra bathed in a lush but not overresonant acoustic." ~sa-cd.net
"…The observations of the dynamic markings are scrupulous and add greatly to the excitement as they seem to be able plumb ever greater tonal depths at either end of the dynamic spectrum. Perhaps most impressive of all is the respect shown by the Mandelring's for the unnumbered quartet of 1823, which although written some 2 years prior to the great octet shows the rapidly growing style of the young Mendelssohn. They play it with the same professionalism and joy that characterises their other performances…" ~sa-cd.net