Marriner Haydn

Haydn - Die Jahreszeiten / The Seasons (Marriner, ASMF, 1981)  Music

Posted by jkiht9 at Jan. 22, 2011
Haydn - Die Jahreszeiten / The Seasons (Marriner, ASMF, 1981)

Haydn - Die Jahreszeiten / The Seasons (1981)
Neville Marriner - Academy of St Martin in the Fields - Laszlo Heltay (chorus master)
Dietrich Fischer-Dieskau (baritone, Simon) - Edith Mathis (soprano, Hanne) - Siegfried Jerusalem (tenor, Lukas)

Choral / Oratorio | EAC | FLAC+log+cue | full scans | 2CD | 534 MB

Modern audiences remain as enthusiastic about Haydn's Creation as his first audiences–who went wild in both London and Vienna–but we've lost our taste for his other masterpiece, The Seasons. For one thing, nobody considers James Thompson's famous poem great anymore; to modern tastes all this ecstatic nature paimting verges on the insipid, so it's fine to have it rendered in German (the words in English don't help a listener's appreciation).
The Alban Berg Quartet - Haydn: Emperor / Mozart: Hunt (1994) [Japan 2014] PS3 ISO + Hi-Res FLAC

Alban Berg Quartet - Haydn: Emperor / Mozart: Hunt (1994) [Japan 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 50:05 minutes | Scans included | 1,56 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1021 MB
The London Haydn Quartet - Haydn: String Quartets Op 50 (2016) [TR24][OF]

The London Haydn Quartet - Haydn: String Quartets Op 50
Classical | FLAC (tracks) 24-bit/96 kHz | 148:43 min | 2.91 GB | Digital booklet
Label: Hyperion | Tracks: 24 | Rls.date: 2016

The London Haydn Quartet turns to the six Op 50 quartets. More serious—intellectually taut—than the Op 33 ‘Russian’ quartets which they follow in Haydn’s output, these six ‘Prussian’ quartets dazzle in such committed performances as these.
The London Haydn Quartet - Haydn: String Quartets Opp 54 & 55 (2017) [TR24][OF]

The London Haydn Quartet - Haydn: String Quartets Opp 54 & 55
Classical | FLAC (tracks) 24-bit/96 kHz | 152:56 min | 2.84 GB | Digital booklet
Label: Hyperion | Tracks: 24 | Rls.date: 2017

The London Haydn Quartet reaches the six great quartets published in 1788 as Opp 54 & 55 in another unmissable two-for-the-price-of-one set. Is it possible to have too much Haydn? The only sensible answer is ‘no’, especially when the music is performed with such intelligence and humanity as here.
Academy Of St. Martin-In-The-Fields, Neville Marriner - Mozart: Requiem etc. (2CD) (1994)

Academy Of St. Martin-In-The-Fields, Neville Marriner - Mozart: Requiem, Krönungsmesse / Coronation Mass, Exsultate, Jubilate Litany K195 (2CD) (1994)
EAC Rip | FLAC with CUE and log | scans | 558 mb
MP3 CBR 320kbps | RAR | 282 mb
Genre: classical

The Academy Of St. Martin-In-The-Fields, conducted by Neville Marriner, offer Mozart: Requiem, Krönungsmesse / Coronation Mass, Exsultate, Jubilate Litany K195. This was released by London Records in 1994 and is a reissue/remaster of works released in 1967, 1972, and 1977.
Joseph Haydn - Haydn Concertos - Maxim Emelyanychev / Riccardo Minasi / Il Pomo d'Oro (2016) {2CD Erato-Warner Classics}

Joseph Haydn - Haydn Concertos - Maxim Emelyanychev / Riccardo Minasi / Il Pomo d'Oro (2016) {2CD Erato-Warner Classics}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 728 Mb | MP3 @320 -> 296 Mb
Full Artwork @ 300 dpi (png) -> 68 Mb | 5% repair rar
© 2016 Erato / Warner Classics | 0825646052042
Classical / Viennese School / Concerto

Co-chief conductors Riccardo Minasi and Maxim Emelyanychev take turns on the podium leading this period-instrument band in a rousing collection of concertos by Haydn. Il Pomo d'Oro has been hailed "a wonderful ensemble, and Minasi an outstanding musician" capable of "bringing the house down with his virtuosity" (The Guardian). Emelyaychev's award-winning harpsichord joins Minasi's violin in the soloists' spotlight, along with the distinguished natural horn of Johannes Hinterholzer. The concertos are complemented by Haydn's Symphony No 83 (known as The Hen, because of the ‘clucking’ figures on the strings in its second movement) and his Keyboard Fantasia Hob.XVII:4.
Steven Isserlis,  Roger Norrington - Joseph Haydn: Cello Concertos in C & D; Sinfonia Concertante (1998)

Joseph Haydn - Cello Concertos in C & D; Sinfonia Concertante (1998)
Steven Isserlis, cello; The Chamber Orchestra of Europe; Sir Roger Norrington, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 358 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: RCA Red Seal | # 09026 68578 2 | Time: 01:15:22

What a versatile artist Steven Isserlis is. Having made his name as a sympathetic interpreter of a wide variety of romantic and modern music, here he shows he can be just as persuasive in eighteenth-century repertoire. His stylistic awareness is evident in beautiful, elegant phrasing, selective use of vibrato and varied articulation, giving an expressive range that never conflicts with the music’s natural language. In the cello concertos he is helped by an extremely sensitive accompaniment, stressing the chamber musical aspects of Haydn’s pre-London orchestral writing. The soft, intimate sonority at 3'06'' in the first movement of the D major is a typical example. The Adagios are taken at a flowing speed, but Isserlis’s relaxed approach means they never sound hurried. The Allegro molto finale of the C major Concerto, on the other hand, sounds poised rather than the helter-skelter we often hear. In his understanding of the music, Isserlis is a long way ahead of Han-na Chang, whose version places the emphasis on fine, traditional-style cello playing. Mork’s vivacious, imaginative performances characterize the music very strongly, but my preference would be for Isserlis’s and Norrington’s lighter touch and greater refinement.
Cecilia Bartoli, Andras Schiff ‎- Italian Songs: Beethoven, Mozart, Schubert, Haydn (1993)

Cecilia Bartoli, András Schiff ‎- Italian Songs: Beethoven, Mozart, Schubert, Haydn (1993)
EAC | FLAC | Image (Cue&Log) ~ 266 Mb (incl 5%) | Mp3 (CBR320) ~ 180 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: Decca | # 440 297-2 | Time: 01:07:59

This was to be the end of the line for Italian word-setting by Viennese composers: once the confident sentiments that belonged to the poet Metastasio's opera seria felt the chill and threatening wind of Enlightenment and Revolution, their time was up. Even we, for the most part, prefer to remember the German-speaking Beethoven, Schubert and Haydn. So it is good to be reminded of their responses to the Italian muse (usually as part of their craft-learning student work) in this particularly well-cast recital. Central Europe, in the person of Andras Schiff meets Italy, in Cecilia Bartoli, to delightful, often revelatory effect.
Ingrid Jacoby & Sir Neville Marriner - Mozart: Piano Concertos (2016) [TR24][OF]

Ingrid Jacoby & Sir Neville Marriner - Mozart: Piano Concertos
Classical | FLAC (tracks) 24-bit/96 kHz | 69:29 min | 1.43 GB | Front Cover
Label: ICA Classics | Tracks: 09 | Rls.date: 2016

Elegance and energy characterise this account of K453, Ingrid Jacoby especially attractive to listen to in her fluid and dynamic playing, crispy phrased and also affectionate without losing the Concerto s bigger picture, and most attentively accompanied by the Academy of St Martin in the Fields and Sir Neville Marriner. Separating such lively music-making (the playful and ultimately witty Finale brings a smile), the soulful slow movement is particularly eloquent with some very expressive contributions from woodwind soloists, and Jacoby digs deep into the music's potential.
Pepe & Celedonio Romero; Sir Neville Marriner - Mauro Giuliani: Complete Guitar Concertos (1996) 2CDs

Mauro Giuliani - Complete Guitar Concertos (1996) 2CDs
Pepe & Celedonio Romero, guitars; Academy of St. Martin in the Fields; Sir Neville Marriner, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 750 Mb (incl 5%) | Mp3 (CBR320) ~ 400 Mb (incl 5%) | Scans included
Genre: Classical, Classical Guitar | Label: Philips | # 454 262-2 | Time: 02:37:27

An acclaimed Italian guitar virtuoso and composer, Mauro Giuliani, along with Fernando Sor, was one of the last great classical proponents of his instrument until its revival in the early twentieth century. He studied counterpoint and the cello, but on the six-string guitar he was entirely self-taught, and that became his principal instrument early on. Italy abounded with fine guitarists at the beginning of the nineteenth century (Carulli remains the most familiar today), but few of them could make a living because of the public's preoccupation with opera. So Giuliani embarked on a successful tour of Europe when he was 19, and in 1806 he settled in Vienna, where he entered the musical circle of Diabelli, Moscheles, and Hummel. He solidified his reputation with the 1808 premiere of his Guitar Concerto in A major, Op. 30, and was soon heralded as the greatest living guitar virtuoso. Even Beethoven noticed Giuliani, and wrote of his admiration for him. Perhaps to return the favor, Giuliani played cello in the 1813 premiere of Beethoven's Symphony No. 7.