Starkly printed in black and white with washed-out, grainy photographs, this is one heavy slab of blues by a player who is not as well-known as he should be. Guitarist Jimmy Rogers was usually overshadowed by the leaders he worked for, Muddy Waters particularly. He was also sometimes confused with the hillbilly singer Jimmie Rodgers, and although they might have sounded good together, they don't have anything in common. This reissue collection grabs 14 tracks done at various times in the mostly early '50s which involve practically a who's who of performers associated with the most intense and driving Chicago blues. This includes the aforementioned Waters, leaving behind his role as leader for a few numbers to add some stinging guitar parts. There is also a pair of harmonica players, each of whom could melt vinyl siding with their playing. These are the Walters, big and little, as in Big Walter Horton and Little Walter. Pianist Otis Spann, bassist Willie Dixon, and drummer Fred Belew are also on hand, meaning the rhythm section action is first class.
Music Inspired By The Little Prince is the first solo album by the famous Polish prog musician Ryszard Kramarsky (Millenium), for the recording of which he invited a whole galaxy of equally famous musicians-compatriots. The album is a typical, classical, progressive, melodic concept album inspired by the wonderful book by Antoine de Saint-Exupery - The Little Prince" You will not hear on this album crazy fast tracks, complicated broken time signatures and progmetal guitar riffs. You'll hear the melodious vocals, vocalizations and guitar solos, keyboards and orchestral movie atmosphere. This music should appeal to fans of artists like Camel, The Alan Parsons Project, Pink Floyd and Marillion.
Why aren't there more recordings like Fly Away Little Bird? Perhaps it's because there aren't more musicians of this stature. The studio reunion of the legendarily experimental Jimmy Giuffre 3 in 1992 was reissued in 2002 on the French Sunnyside label and is a radical departure from anything the trio had done in the past. These studio apparitions of the band are their most seamlessly accessible while being wildly exploratory. In addition to the consummate improvisations and compositions by Giuffre (title track, a redone "Tumbleweed"), the tender meditations by Steve Swallow ("Fits" and "Starts"), and the bottom-register contrapuntal improves by Paul Bley ("Qualude"), this is a trio recording that uses standards such as "Lover Man," a radically and gorgeously reworked "I Can't Get Started," "Sweet and Lovely," and "All the Things You Are" to state hidden textural possibilities inside chromatic harmony. There is never the notion of restraint in the slow, easy, and proactive way these compositions are approached.
This is a collection of mostly re-recordings and live versions. Some of tracks are familiar but there are quite a few less common tracks and that is what makes it interesting to me. I believe there are 20 VA collections in this series.
The debut show for Mel, Boz, RF and Ian and what a fantastic atmosphere this soundboard recording has! The band are incredibly animated, clearly delighted to be away from their basement rehearsal room and obviously enjoying the liberation of being onstage. The shouts of encouragement and approval being exchanged – often in mid-song – give this recording an astonishing intimacy. Highlights include Fripp’s razor-sharp lines in the chorus section of Cirkus. There's an enchanting version of Lady of The Dancing Water with winsome backing vocals from Ian, trimmed with some rich baritone sax. And listen out for the running lines and slashing chords from LTIA pt1 as they make their debut during a radically different and experimental Sailor’s Tale.
When the Hutu nationalists raised arms against their Tutsi countrymen in the African nation of Rwanda in April of 1994, the violent uprising marked the beginning of one of the darkest times in African history. Over the course of the next 100 days, brother would turn against brother, tearing families apart and resulting in the death of almost 800,000 people. Based on actual events that occurred during the uprising, Raoul Peck's affecting war drama tells the tale of two such brothers, whose differing loyalties found them on opposing sides of the conflict, and whose lives would never be the same following this tragic turn of events.