10 CD box set celebrating the work of the German Beethoven-pianist of international renown, Wilhelm Backhaus. It contains all of his concert recordings, the most popular sonatas and waltz-variations.
The complete works of Beethoven on 85 CDs plus a supplement particularly outstanding recordings of the past on 15 CDs!
Including the 32 legendary piano sonatas, played by the eccentric talent of the century Friedrich Gulda
Karl Böhm's Vienna Philharmonic Beethoven cycle is Deutsche Grammophon's best kept secret. Not only is it the finest complete set of Beethoven symphonies in their catalog, it's also far and away the best recorded, and to make matters even more irresistible, it's also the least expensive (it's available on three "twofer" sets). These performances are typical: weighty, intense, powerful, and magnificently played. Listen especially to the (comparatively) neglected Fourth Symphony: if Böhm doesn't convince you that this is major Beethoven, then no one can.
The piano remained the main instrument of Beethoven throughout his life, and this specially priced 4-CD box set represents his entire and sizeable output for piano and orchestra, starting with the early Piano Concerto in E flat, WoO 4 – a work of tremendous energy and great technical demands, which Beethoven wrote when he was just twelve years old – and ending with Piano Concerto No. 5, the only one that Beethoven never performed himself in concert, due to his developing deafness.
The film received a pasting from UK critics but as the soundtrack chooses from a vast archive of great performances, it’s possible to retrieve something from the experience. The opening track, the Grosse Fuge, is a bold choice given the wider audience for whom this soundtrack is aiming. It receives a magnificent performance from the Takács Quartet which is as finely attuned to the music’s jagged outcrops as its sheltered byways. The uninterrupted flow of the sweet and soulful second movement of the third Razumovsky is pure poetry in their hands. Ashkenazy gives a brilliant but never rushed performance of the finale to the early Sonata in C minor and his straightforward manner in the Arietta from Beethoven’s last sonata is illuminated by the very clear Decca recording. Haitink’s performance of the finale of the Ninth Symphony with the Royal Concertgebouw and a quartet of soloists led by Lucia Popp does not storm the heavens and I don’t ever recall being so aware of this movement’s proceeding by paragraphs. However, it would seem to have found a comfortable place in a well planned and wide-ranging celebration of Beethoven’s genius.
This must be one of the year's best performances of the Ninth Symphony. Not a trace of lofty heroism here - Mariss Jansons and the Bavarian Radio Symphony Orchestra bring out the life-affirming aspects of the work, culminating in a hymn of heartfelt naturalness from which the audience draws inner strength' (Mostly Classic).