Vincenzo Bellini’s third opera, Il pirata, marked an important step in his career. Not only was it the 27 year old’s first score for the brand leader of Italian opera houses, La Scala, Milan, it also represented his first collaboration with Felice Romani, the leading librettist of the day, who was to become his regular artistic partner. Based (via a French translation) on an English play by the Anglo-Irish Gothic writer Charles Maturin, Il pirata describes how Gualtiero (José Bros) is shipwrecked during a storm on the Sicilian coast, where his former love, Imogene, (Carmen Giannattasio) has been forced into an unwilling marriage by Ernesto, the local duke (Ludovic Tézier). Tensions build between the three until Gualtiero kills Ernesto in a duel, causing Imogene to go mad with guilt. David Parry conducts this exceptional example of early romantic opera at its most dramatically potent.
This book makes accessible the major structural features of the dialects of Italy and emphasises the importance of a detailed understanding of the dialects for issues in general linguistic theory…
Parry’s two finest and most popular anthems, Blest Pair of Sirens and I was glad, make an attractive coupling to his famous choral works. The 45-minute work The Soul’s Ransom, with its sequence of solos and choruses, forms a broadly symphonic four-movement structure and The Lotos eaters; a setting for soprano, chorus and orchestra is performed by Della Jones, a characterful soloist. This is a full and atmospheric recording to match the incandescent performances.
Although not quite at the level of profundity of his teacher Gustav Leonhardt's recording, Kenneth Gilbert's 1983 recording of Book 1 of Bach's The Well-Tempered Clavier does have a style and polish that Leonhardt's too often lacked. Thus, while Leonhardt goes further into some of the minor-key fugues to find intellectual and spiritual depths that Gilbert does not plumb, Gilbert's playing is so much more elegant and graceful than Leonhardt's that it is difficult to choose between them. For listeners who approach The Well-Tempered Clavier as a volume of virtuoso works whose success depends on the effortless refinement of the player, the Gilbert, with its superbly remastered sound, will be the one to get. For listeners who approach The Well-Tempered Clavier as a volume of prayers written as preludes and fugues, the Leonhardt will be preferable. Both are superb and both belong in any Bach collection.
Music for Heart and Breath is Richard Reed Parry´s debut as classical composer who is mostly known from the Grammy Nominated Uber Indie Rock Band Arcade Fire.