The equally majestic follow-up to one of the most successful box sets in recent memory: After KARAJAN 1960s here comes KARAJAN 1970s. Between 1970 and 1979, Herbert von Karajan recorded the incredible amount of 82 CDs worth of orchestral and choral music for DG This was the period that saw Karajan delve deeply into important repertoire that he never really tackled before or after – from Vivaldi to Mahler, to Berg, Schoenberg and Webern as well as Orff. Not to forget Christmas Concertos, National Anthems, and Prussian Marches.
A superb box-set. Karajan set the bar high, paid great care and attention in monitoring the recording process and correcting any "mistakes" that recording engineers or producers might make. Of course, producers and recording engineers would correct Karajan's "corrections"! The recording studio - in which he thrived - and the end product were just as important to Herbert von Karajan as his live concert performances.
Although best remembered for his devotion to the core Austro-Germanic repertoire, Austrian conductor Herbert von Karajan did flirt with the English repertoire in the '50s and early '60s.
In light of the "chill-out" trend of the 1990s, major labels released many albums of slow, meditative pieces to appeal to listeners who wanted relaxing or reflective background music. Deutsche Grammophon's vaults are full of exceptional recordings of classical orchestral music, and the performances by Herbert von Karajan and the Berlin Philharmonic are prominent in the label's catalog. The slow selections on Karajan: Adagio are in most cases drawn from larger compositions, though these movements are frequently anthologized as if they were free-standing works. Indeed, many have come to think of the Adagietto from Gustav Mahler's Symphony No. 5 as a separate piece in its own right, largely because of its evocative use in the film Death in Venice. Furthermore, the famous Canon by Johann Pachelbel is seldom played with its original companion piece, the Gigue in D major, let alone in its original version for three violins and continuo; it most often appears in an arrangement for strings.
Acclaimed Berlin Philharmonic conductor Herbert von Karajan leads a stellar cast – including mezzo-soprano Agnes Baltsa and sopranos Anna Tomowa-Sintow and Janet Perry – in this memorable 1984 production of "Der Rosenkavalier." Recorded at Austria's Salzburger Festpiele, composer Richard Strauss' comic opera tells a tale about love between an aging noblewoman, her handsome lover, a bumbling baron and a wealthy merchant's beautiful daughter.