You thought Marcus Miller and Jaco and Stanley Clark were funky? They are indeed but they don't play the double bass. Brian Bromberg displays absolute chops that Charles Mingus would have wanted. Akira Jimbo as usual with his unbelievable groove keeps the whole album going and Otomaro Ruiz is one hell of a pianist. With this CD you CAN'T go wrong.
In his career, Brian Bromberg has recorded bop, fusion, and smooth with equal fluency and creativity on acoustic and electric basses. Choices is somewhat commercial, with funky rhythms, R&B-ish solos, and fade-outs. In general, the solos are more memorable than Bromberg's originals and grooves. While the material is mostly routine, the improvisations of Bromberg and altoist Eric Marienthal are excellent and the musicianship is impressive. But no real surprises occur, making this a lesser and generally easy listening effort by the hugely talented Brian Bromberg.
Wood is Brian Bromberg's debut for the A440 Music Group, and it is a very strong example of his extraordinary straight-ahead jazz skills as presented in three exciting formats. In addition to the six tracks he performs in a trio setting with drummer David Bromberg and pianist Randy Waldman, Brian Bromberg duets with Waldman on the inimitable "Days of Wine and Roses" and the beautiful tribute "Goodbye (For My Father)," which was previously released on You Know That Feeling. Two amazing solo performances – "Come Together" and "Star Spangled Banner" – add further credence to Bromberg's technical and creative virtuosity as one of the premier jazz bassists of his generation.
Compiling the third and fourth solo albums by sideman-to-the-stars David Bromberg, Wanted Dead or Alive/Midnight on the Water includes Bromberg's virtuoso musicianship, eccentric songwriting, and endearingly off-key vocals, along with plenty of guest spots: Bonnie Raitt, Linda Ronstadt, Emmylou Harris, and on the first, most of the Grateful Dead.