No one expected the success of Dream Weaver when it was released, but it sailed to the top of the charts, and with good reason. Backed with only drums and a wide assortment of keyboards, Gary Wright crafted instantly recognizable tunes such as the title cut and "Love Is Alive," which caught on and remain staples of classic rock stations around the U.S. All very revolutionary and new at the time, Dream Weaver hasn't lost any of its magic over time.
On the surface, Believe It! is standard-issue bar-band blues-rock, but it is distinguished by Joanna Connor's passion for the music. Connor believes in the music so much, it can't help but appear in the grooves every once in a while. In particular, her guitar playing is noteworthy – it's tough, greasy, and powerful. Believe It! suffers from a lack of memorable songs – she's still trying to develop a distinctive songwriting voice – but Connor's strong performances carry the album through any weak moments.
Don Grolnick was a busy session pianist/keyboardist who played on many kinds of dates, including jazz fusion and pop. But for a brief period in the late 1980s and early '90s, he detoured into playing post-bop. Weaver of Dreams was the first of his two CDs for Blue Note, featuring an all-star septet including the Brecker Brothers, Bob Mintzer, Dave Holland, Peter Erskine, and Barry Rogers.