Johnny Smith is an exquisite jazz guitarist known mostly to fellow musicians and serious jazz fans. This beautifully packaged and expertly annotated eight-CD limited-edition boxed set from Mosaic includes his complete small-group recordings for Roost, most of which have languished out of print for decades. Smith's unique voicings on his instrument set him apart from other players, yet he maintains a lush, crystal-clear tone no matter the tempo or setting.
Luxury Blue Note collection on 10 CDs as selected by 2Sounds, spanning the history of the great Blue Note label. Packaging: Clamshell box, 10 CD, 12p booklet. I new this would be good,but I am so glad I stepped up and purchased this collection. My wife and I play through the list of CD's daily. Yes,the standards are there,but it's the players we are unfamiliar with that make this a great buy!
Here is a collection of 159 titles, 227 CDs in the Elvis Presley - Follow That Dream Series (1999-2016). All of these have covers and many have very nice artwork. Several have full booklet scans as well.
Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of the first albums to feature the trumpet of Blue Mitchell in a larger group – a really great move that let his soulful horn really come to the lead! Blue sounds wonderful here – soaring out in front of larger charts from Duke Pearson, Jimmy Heath, Don Pickett, and Melba Liston – all talents who start to bring in a bit of funk to Mitchell's music – which Blue responds to with a mighty nice kick! The group also features Pepper Adams on baritone, Jerry Dodgion on alto, Julian Preister on trombone, and Junior Cook on tenor – and titles include "Heads Up Feet Down", "Togetherness", "Good Humor Man", "Len Sirrah", and "People in Nassau".
Groove great Kenny Burrell and Jimmy Smith (Hammond organ) together on the same album. Includes a rendition of "Fever." Three days of spare studio time while Smith was at work on a big-band date led to this highly enjoyable blowing session. The principals' interplay on the title-track sums up their whole musical relationship: punchy, bluesy but soaked in the good homour of playing for kicks.
Jimmy Smith wasn't the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and style made him a top instrumentalist in the 1950s and '60s, while a number of rock and R&B keyboardists would learn valuable lessons from Smith's example.