The 1987 edition of the Brubeck Quartet featured pianist Brubeck, his son Chris on electric bass and bass trombone, clarinetist Bill Smith and drummer Randy Jones. In addition to remakes of "Blue Rondo à la Turk," "Strange Meadowlark" and "Swing Bells," the leader contributed six new originals including "I See, Satie" and a tribute to Dizzy Gillespie and Stan Getz called "Dizzy's Dream." Bill Smith, who uses electronics with taste on his clarinet during a few songs, has long been a major asset to the later Brubeck Quartets. This is one of their better Concord CDs.
Born to Nigerian parents brought to Algeria, percussionist Guem grew up playing traditional music and trance rhythms from an early age. His family soon initiated him into the secrets of the diwan–ceremonies where many of the participants enter a state of trance.
When it comes to the boundary-stretching spirit that has become so widespread among many of today's leading jazz musicians, drummer Mark Guiliana deserves credit for being one of the most enthusiastic embodiments of this attitude. He has a longstanding passion for electronic music, as heard especially on the releases on his own Beat Music label (2014's My Life Starts Now and Beat Music: The Los Angeles Improvisations).
Le "dernier" roi d'Italie.
Victor-Emmanuel III, s'il a régné sur l'Italie de 1900 à 1946, n'a rien fait pour conquérir la célébrité. Souffrant d'une apparence physique particulièrement disgracieuse, taciturne et secret, détestant l'apparat monarchique, il a été un souverain invisible, retranché dans ses résidences privées et sa vie familiale. …