Jazz fr

Jiří Stivín & Co Jazz Quartet - Live At AghaRTA Jazz Club (1997)

Jiří Stivín & Co Jazz Quartet - Live At AghaRTA Jazz Club (1997)
EAC Rip | APE (image+.cue, log) ~ 312.79 Mb + 16.54 Mb (Scans) | 65:17
Modern Hard Bop | Label: ARTA Records (F1 0055-2)

Jiří Stivín has been interpreting pre-Classical music on the recorder since 1975. After graduating from the cinematography department of the Prague Film Academy (FAMU), he devoted himself exclusively to music. He studied at the Royal Academy of Music as well as at the Prague Academy of Music, where he studied composition. His flute teachers were Milan Muncingler (Ars Revidiva) and Jiří Válek (Czech Philharmonic). Stivin performs music from the Middle Ages, the Renaissance, and the Baroque periods. He has recorded flute concertos (Telemann and Vivaldi on 4 CDs) and has mastered all kinds of flutes and recorders.

Jazz Maynard - Tome 6 - Trois corbeaux (2017)  Comics

Posted by iBooker at Oct. 20, 2017
Jazz Maynard - Tome 6 - Trois corbeaux (2017)

Jazz Maynard - Tome 6 - Trois corbeaux (20 Oct 2017)
French | CBZ | 57 pages | 40 MB
The Dave Brubeck Quartet - Blue Rondo (1986) {Concord Jazz CCD-4317}

The Dave Brubeck Quartet - Blue Rondo (1986) {Concord Jazz CCD-4317}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 237 Mb | MP3 @320 -> 105 Mb
Full Artwork @ 300 dpi (png) -> 23 Mb | 5% repair rar
© 1986-87 Concord Jazz | CCD-4317
Jazz / Cool / West Coast Jazz / Piano

The 1987 edition of the Brubeck Quartet featured pianist Brubeck, his son Chris on electric bass and bass trombone, clarinetist Bill Smith and drummer Randy Jones. In addition to remakes of "Blue Rondo à la Turk," "Strange Meadowlark" and "Swing Bells," the leader contributed six new originals including "I See, Satie" and a tribute to Dizzy Gillespie and Stan Getz called "Dizzy's Dream." Bill Smith, who uses electronics with taste on his clarinet during a few songs, has long been a major asset to the later Brubeck Quartets. This is one of their better Concord CDs.
Guem Et Zaka Percussion – Percussions (1978) LDX 74674 – 1st FR Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Guem Et Zaka Percussion ‎- Percussions
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Le Chant Du Monde/LDX 74674 | Release: 1978 | Genre: African-Roots/Percussion

Born to Nigerian parents brought to Algeria, percussionist Guem grew up playing traditional music and trance rhythms from an early age. His family soon initiated him into the secrets of the diwan–ceremonies where many of the participants enter a state of trance.

Mark Guiliana Jazz Quartet - Jersey (2017) [Official Digital Download]  Vinyl & HR

Posted by shamanicus at Oct. 19, 2017
Mark Guiliana Jazz Quartet - Jersey (2017) [Official Digital Download]

Mark Guiliana Jazz Quartet - Jersey (2017)
FLAC (tracks) 24-bit/44,1 kHz | Artwork: front cover | RAR | 483 Mb
Jazz, Contemporary Jazz, Fusion | Label: Motema

When it comes to the boundary-stretching spirit that has become so widespread among many of today's leading jazz musicians, drummer Mark Guiliana deserves credit for being one of the most enthusiastic embodiments of this attitude. He has a longstanding passion for electronic music, as heard especially on the releases on his own Beat Music label (2014's My Life Starts Now and Beat Music: The Los Angeles Improvisations).
Spuren der Avantgarde: Theatrum alchemicum: Frühe Neuzeit und Moderne im Kulturvergleich: Band 6

Helmar Schramm, Michael Lorber, "Spuren der Avantgarde: Theatrum alchemicum: Frühe Neuzeit und Moderne im Kulturvergleich: Band 6"
2017 | German | ISBN-10: 3110303906 | 616 pages | PDF | 9 MB

VA - Saturday Night Fish Fry (2001) {Soul Jazz} **[RE-UP]**  Music

Posted by TestTickles at Oct. 19, 2017
VA - Saturday Night Fish Fry (2001) {Soul Jazz} **[RE-UP]**

VA - Saturday Night Fish Fry (2001) {Soul Jazz}
EAC Rip | FLAC with CUE and log | scans | 324 mb
MP3 CBR 320kbps | RAR | 205mb
Genre: soul, R&B, funk

Saturday Night Fish Fry is a compilation CD on Soul Jazz Records released in 2001 that explored "New Orleans Funk & Soul". Most of the artists have one song each while Betty Harris and Eldridge Holmes have two songs each. It's a small hint of the glorious music the Crescent City has had to offer.

Frédéric Le Moal, "Victor-Emmanuel III : Un roi face à Mussolini"  eBooks & eLearning

Posted by TimMa at Oct. 18, 2017
Frédéric Le Moal, "Victor-Emmanuel III : Un roi face à Mussolini"

Frédéric Le Moal, "Victor-Emmanuel III : Un roi face à Mussolini"
Perrin | 2015 | ISBN: 2262037639 | French | EPUB | 440 pages | 2.7 MB

Le "dernier" roi d'Italie.
Victor-Emmanuel III, s'il a régné sur l'Italie de 1900 à 1946, n'a rien fait pour conquérir la célébrité. Souffrant d'une apparence physique particulièrement disgracieuse, taciturne et secret, détestant l'apparat monarchique, il a été un souverain invisible, retranché dans ses résidences privées et sa vie familiale. …
François-Frédéric Guy - Brahms: Complete Piano Sonatas (2016) [Official Digital Download]

François-Frédéric Guy - Brahms: Complete Piano Sonatas (2016)
FLAC (tracks) 24-bit/48 kHz | Time - 95:39 minutes | 774 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Brahms is one of François-Frederic Guy’s favourite composer, he has accompanied him all his life, the first work that he performed in public was his First Concerto. The Brahms Project is, above all, conceived as an amorous dictionary of the composer and not an exhaustive complete recording.
Tedi Papavrami & François-Frédéric Guy - Beethoven: Complete Sonatas for Piano & Violin (2017) [Official Digital Download]

Tedi Papavrami & François-Frédéric Guy - Beethoven: Complete Sonatas for Piano & Violin (2017)
FLAC (tracks) 24-bit/48 kHz | Time - 220:26 minutes | 2.06 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Two fabulous artists, accustomed to wining international awards (Gramophon, Editor’s Choice, Diapason d’Or) release the long-awaited complete recording of Beethoven’s Piano and Violin Sonatas: the pianist François-Frédéric Guy and the violinist Tedi Papavrami dive with brio into the composer’s sound maturity demonstration and exploration of the technical limits of the instruments.