Italian Film

Fabio Vighi - Traumatic Encounters in Italian Film: Locating the Cinematic Unconscious [Repost]

Fabio Vighi - Traumatic Encounters in Italian Film: Locating the Cinematic Unconscious
2006 | ISBN: 1841501409 | English | 201 pages | PDF | 2.7 MB

Italian Film in the Shadow of Auschwitz (Toronto Italian Studies)  eBooks & eLearning

Posted by Nice_smile) at Sept. 13, 2015
Italian Film in the Shadow of Auschwitz (Toronto Italian Studies)

Italian Film in the Shadow of Auschwitz (Toronto Italian Studies) by Millicent Marcus
English | Sep. 8, 2007 | ISBN: 0802091881 | 224 Pages | PDF | 2.17 MB

The last decade has witnessed an outpouring of Italian films that deal with Fascism, anti-Semitism and the Holocaust.

The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film  eBooks & eLearning

Posted by Nice_smile) at Sept. 11, 2015
The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film

The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film by Domietta Torlasco
English | Apr. 16, 2008 | ISBN: 0804758026 | 144 Pages | PDF | 1.35 MB

The Time of the Crime interrogates the relationship between time and vision as it emerges in five Italian films from the sixties and seventies: Antonioni's Blow-Up and The Passenger , Bertolucci's The Spider's Stratagem , Cavani's The Night Porter , and Pasolini's Oedipus Rex .

Traumatic Encounters in Italian Film: Locating the Cinematic Unconscious  eBooks & eLearning

Posted by AlenMiler at Jan. 16, 2009
Traumatic Encounters in Italian Film: Locating the Cinematic Unconscious

Fabio Vighi, "Traumatic Encounters in Italian Film"
Publisher: Intellect Ltd | 2006-01-01 | ISBN 1841501409 | PDF | 201 pages | 2.4 MB

Italian Women Filmmakers and the Gendered Screen  eBooks & eLearning

Posted by ChrisRedfield at April 23, 2017
Italian Women Filmmakers and the Gendered Screen

Maristella Cantini - Italian Women Filmmakers and the Gendered Screen
Published: 2013-12-18 | ISBN: 1137336501, 1349463523 | PDF | 284 pages | 2.86 MB
Post-War Italian Cinema: American Intervention, Vatican Interests (Routledge Advances in Film Studies)

Post-War Italian Cinema: American Intervention, Vatican Interests (Routledge Advances in Film Studies) by Daniela Treveri Gennari
English | 2008 | ISBN: 0415962870 | 218 Pages | PDF | 41.47 MB

Italian Political Cinema  eBooks & eLearning

Posted by roxul at May 11, 2016
Italian Political Cinema

Giancarlo Lombardi, "Italian Political Cinema"
English | ISBN: 3034322178 | 2016 | 457 pages | PDF | 3 MB

A Cinema of Poetry: Aesthetics of the Italian Art Film  eBooks & eLearning

Posted by interes at Jan. 5, 2016
A Cinema of Poetry: Aesthetics of the Italian Art Film

A Cinema of Poetry: Aesthetics of the Italian Art Film by Joseph Luzzi
English | 2014 | ISBN: 1421411660, 142141984X | 232 pages | PDF | 2,6 MB

The Maciste Films of Italian Silent Cinema  eBooks & eLearning

Posted by interes at Nov. 3, 2015
The Maciste Films of Italian Silent Cinema

The Maciste Films of Italian Silent Cinema by Jacqueline Reich
English | 2015 | ISBN: 0253017459, 0253017459 | 432 pages | PDF | 9,3 MB

Italian Crime Filmography: 1968-1980  eBooks & eLearning

Posted by Rare-1 at May 3, 2015
Italian Crime Filmography: 1968-1980

Italian Crime Filmography: 1968-1980 By Roberto Curti
English | McFarland (October 22, 2013) | ISBN-10: 0786469765 | 332 pages | PDF | 12 MB

In 1970s Italy, after the decline of the Spaghetti Western, crime films became the most popular, profitable and controversial genre. In a country plagued with violence, politicaltensions and armed struggle, these films managed to capture the anxiety and anger of the times in their tales of tough cops, ruthless criminals and urban paranoia. Recent yearshave seen renewed critical interest in the genre, thanks in part to such illustrious fans as Quentin Tarantino. This book examines all of the 220+ crime films produced in Italybetween 1968 and 1980, the period when the genre first appeared and grew to its peak. Entries include a complete cast and crew list, home video releases, a plot summary and the author's own analysis. Excerpts from a variety of sources are included: academic texts, contemporary reviews, and interviews with filmmakers, scriptwriters and actors. There are many onset stills and film posters.