A quinze ans, Harry entre en cinquième année à Poudlard, mais il n'a jamais été aussi anxieux. L'adolescence, la perspective des examens et ces étranges cauchemars…
Does music add substance to words or is music inspired by them? Songs of departure and farewell are deeply rooted in the great tradition of British choral music, nourished by ancient myths of testing journeys, wayside transformations and homecomings. The transcendent nature of music and the power of poetry to challenge and alter perceptions of reality – harnessed by English composers over many centuries – flow through a programme that invites contemplation of life and death, of love and loss, creation and eternity. In a journey covering six centuries of musical history, The Sixteen performs a cappella anthems with powerful texts by writers as varied as Edmund Spenser, Christopher Fry and W.H. Auden.
The Indian Queen was one of Henry Purcell's final works and may in fact have been left unfinished at his death. Defining the state of the text is complicated by the fact that the work is a so-called semi-opera, a defunct form that mixed spoken dialogue, singing, and dance; the function of the surviving music isn't always totally clear. For those reasons, the work hasn't often been recorded. Many of the individual numbers are splendid examples of Purcell's style, with his sparkling ensemble dances and exuberantly rhythmic major-key tunes that seem to shake off dour minor introductory sections.
Since Harry Belafonte and Miriam Makeba had appeared together in concert frequently in the early '60s, customers spying an LP called An Evening with Belafonte/Makeba might reasonably have assumed that the record would contain a joint live performance by the two, and that might help explain why this album charted in the Top 100 despite its challenging material. To begin with, it is not a live album, but rather a studio recording. And it isn't so much a duo album, for the most part, as a joint album; Belafonte and Makeba perform together on only two tracks, "Train Song" and "Cannon." Otherwise, they split up the selections, each appearing on five.
Harry Belafonte's first album features a solid variety of songs from American folk tradition, learned during his studies of folk music at the Library of Congress in the early 1950s. He had signed with RCA Victor in 1952, recording a series of well-received singles. Belafonte's new-found love for music of the West Indies can be found in songs such as "Man Piaba" (which he wrote) along with songs from English and Scottish tradition such as "Lord Randall" and "The Drummer & the Cook." Songs from African-American tradition include the chain gang song "Tol' My Captain" and the ubiquitous "John Henry." Mark Twain was a good initial effort, but Belafonte's repertoire and delivery would get stronger with the next album.