Gerry k

Dave Brubeck Trio & Gerry Mulligan - Live at the Berlin Philharmonie (1970) {2CD Columbia 481415-2 rel 1995}

Dave Brubeck Trio & Gerry Mulligan - Live at the Berlin Philharmonie (1970) {2CD Columbia 481415-2 rel 1995}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 734 Mb | MP3 @320 -> 274 Mb
Full Artwork @ 600 dpi (jpg) -> 114 Mb | 5% repair rar
© 1970, 1995 Columbia / Sony Music | 481415-2
Jazz / Cool / West Coast Jazz / Baritone Sax / Piano Trio

Out of the 13 selections included on this double CD, six were originally released just in Europe, two ("Out of Nowhere" and "Mexican Jumping Bean") were never out before and only five songs were on the American LP. Considering how inspired the Dave Brubeck Quartet sounds, it is surprising that the music has been so obscure for so long. Baritonist Gerry Mulligan is particularly heated on the opening two numbers (the unreleased tracks), pianist Dave Brubeck really stretches himself (check him out on "Things Ain't What They Used to Be" where he progresses from stride to free), and bassist Jack Six and drummer Alan Dawson, in addition to their solo space, are quite alert and constantly pushing the lead voices. Not only are the musicians in top form but the audience is very enthusiastic, demanding three encores. The extensive liner notes by Geoffrey Smith are also a major plus. Highly recommended.

Gerry Mulligan - Re-Birth Of The Cool (1992) {GRP}  Music

Posted by tiburon at Oct. 19, 2016
Gerry Mulligan - Re-Birth Of The Cool (1992) {GRP}

Gerry Mulligan - Re-Birth Of The Cool (1992) {GRP}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 297MB + 5% Recovery
MP3 CBR 320 Kbps | 130MB + 5% Recovery
Genre: Cool Jazz

In the summer of 1991 Gerry Mulligan decided to revisit Miles Davis's Birth of the Cool recordings. He discussed it with Miles Davis himself who said he might be interested in participating but sadly Davis died a few months later. With Wallace Roney (the perfect sound-alike) in the trumpeter's place, baritonist Mulligan got the band's original pianist and tuba player (John Lewis and Bill Barber), used his own bassist (Dean Johnson) and drummer (Ron Vincent), and found able substitutes in altoist Phil Woods (unfortunately Lee Konitz was unavailable to play his old parts), trombonist Dave Bargeron and John Clark on French horn.
Gerry Rafferty - Can I Have My Money Back (1971) [Reissue, Remastered 2006]

Gerry Rafferty - Can I Have My Money Back (1971) [Reissue, Remastered 2006]
EAC Rip | FLAC (tracks & cue & log) | 462 MB | MP3 CBR 320 kbps | 182 MB | Artwork (PNG) 172 MB | 79:27
Genre: Pop Rock / Folk Rock / Singer/Songwriter | Country: UK | Label: Sanctuary Records Group | CMRCD 1325
Can I Have My Money Back? is the first solo album by Gerry Rafferty. The distinctive cover design was by John Patrick Byrne and was the start of a long working relationship between Rafferty and the playwright. The LP was well received, but performed poorly in charts and sales, in part because Rafferty had just left a well known band, The Humblebums. The album also saw Joe Egan come on board, and the pair formed Stealers Wheel shortly afterwards. The album was subsequently re-issued on digitally remastered compact disc (CD) in an expanded version, with the same title (albeit subtitled "The Best of Gerry Rafferty") and a different cover design, by Castle Music, Ltd. (UK) in 2000 (Serial# ESMCD-879). Released only in the United Kingdom, it features an additional 12 tracks taken from his 1974 eponymous compilation album, Gerry Rafferty.
Gerry Mulligan/Johnny Hodges - Gerry Mulligan Meets Johnny Hodges (1960) {2003 Verve Music Group} **[RE-UP}**

Gerry Mulligan/Johnny Hodges - Gerry Mulligan Meets Johnny Hodges (1960) {2003 Verve Music Group}
EAC Rip | FLAC with CUE and log | scans | 220 mb
MP3 CBR 320kbps | RAR | 85 mb
Genre: jazz

Gerry Mulligan Meets Johnny Hodges is the 1960 album by Gerry Mulligan and Johnny Hodges. Originally released on Verve, Mulligan and Hodges are joined by Claude Williamson (piano), Buddy Clark (bass), and Mel Lewis (drums). This is from a CD released by Verve Music Group on 24 June, 2003.
Gerry Mulligan & Chet Baker - Carnegie Hall Concert (1974) {Epic EPC 450554 2 rel 1987}

Gerry Mulligan & Chet Baker - Carnegie Hall Concert (1974) {Epic EPC 450554 2 rel 1987}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 405 Mb | MP3 @320 -> 166 Mb
Full Artwork @ 300 dpi (jpg) -> 35 Mb | 5% repair rar
© 1974, 1987 CTI / Epic / CBS | EPC 450554 2
Jazz / Cool / West Coast Jazz / Saxophone / Trumpet

At this 1974 concert baritonist Gerry Mulligan and trumpeter Chet Baker had one of their very rare reunions; it would be only the second and final time that they recorded together after Mulligan's original quartet broke up in 1953. Oddly enough, a fairly contemporary rhythm section was used (keyboardist Bob James, vibraphonist Dave Samuels, bassist Ron Carter, drummer Harvey Mason, and in one of his first recordings, guitarist John Scofield). However, some of the old magic was still there between the horns, and in addition to two of Mulligan's newer tunes, this set (the first of two volumes) also includes fresh versions of "Line for Lyons" and "My Funny Valentine."
Gerry Mulligan - Jeru (1962) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4024}

Gerry Mulligan - Jeru (1962) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4024}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 235 Mb | MP3 @320 -> 85 Mb
Full Artwork @ 600 dpi (jpg) -> 145 Mb | 5% repair rar
© 1962, 2014 Columbia / Sony Music Japan | SICP 4024
Jazz / Cool / West Coast Jazz / Baritone Saxophone

Reissue with latest 2014 DSD remastering. Comes with liner notes. Jeru was a favor that Gerry Mulligan did for his drummer, Dave Bailey, who owned a startup label called Jazzline. Mulligan was bet-ween recording contracts. The ensemble played together only once, during the four-and-a-half-hour session when Jeru was made in 1962. It features Tommy Flanagan on piano, Ben Tucker on bass, Bailey on drums and Alec Dorsey on congas. The album never appeared on Jazzline because CBS bought the master and released it on Columbia.
Gerry & The Pacemakers - The Best Of Gerry & The Pacemakers (2005) 2CDs [Re-Up]

Gerry & The Pacemakers - The Best Of Gerry & The Pacemakers (2005) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 510 Mb | Mp3 (CBR320) ~ 221 Mb | Scans ~ 66 Mb
British Invasion, Merseybeat, Pop/Rock | Label: EMI | # 7243 4 74839 2 9 | 01:35:29

There are already so many "best-of" collections of Gerry & the Pacemakers – including previous releases from EMI, Capitol, and Collectables – that this double-CD set from EMI's U.K. division probably won't seem very impressive or important. Actually, very little of the band's history is left out, at least in terms of the various facets of their music – the hits are all present, along with a brace of engaging B-sides and LP and EP tracks that greatly broaden the range of music at hand. The quartet's best-known songs are well-crafted pop/rock in a Merseybeat mode, but they had a harder side as well, and even traded in some R&B and country sounds, and those aspects are represented here in between the hits. Some listeners who like their more rocking sides, such as "Jambalaya," "Maybellene" or "Pretend," may not appreciate the presence of such string-laden pop as "Walk Hand in Hand" or "Girl on a Swing," but this is a valid representation of their sound. And the sound is optimal, to put it mildly, with lots of presence on all of the instruments.

Gerry Mulligan - Midas Touch: Live in Berlin (2003)  Music

Posted by Designol at May 21, 2017
Gerry Mulligan - Midas Touch: Live in Berlin (2003)

Gerry Mulligan - Midas Touch: Live in Berlin (2003)
EAC | FLAC | Image (Cue&Log) ~ 394 Mb | Mp3 (CBR320) ~ 162 Mb | Scans included
Cool, West Coast, Mainstream Jazz | Label: Concord | # CCD 2169-2 | 01:09:19

A little less than eight years after it occurred, Concord Records issued this concert, originally broadcast on German radio, from Gerry Mulligan's last European tour, performed less than a year before his death. Mulligan appears with his regular band of the time – pianist Ted Rosenthal, bassist Dean Johnson, and drummer Ron Vincent – playing a group of originals that serve as springboards for his lyrical style of baritone saxophone playing. The group, which had been together for several years at this point, plays smoothly, offering excellent support to the leader. A special treat is the final track, a version of "These Foolish Things" on which Mulligan duets with guest star Dave Brubeck. The album demonstrates that, in his maturity, Mulligan continued to live up to the standards he had set for himself across a career stretching back 45 years. There are no real revelations this late in the game, but Mulligan and the band play with the assurance of veterans.
Gerry Mulligan - Mainstream Of Jazz - Special Edition (1956) {EmArcy Japan 826 993-2}

Gerry Mulligan - Mainstream Of Jazz - Special Edition (1956) {EmArcy Japan 826 993-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 316 Mb | MP3 @320 -> 127 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1956, 1986 Mercury / EmArcy Japan | 826 993-2 / 32JD-126
Jazz / Cool / West Coast Jazz / Mainstream Jazz / Saxophone

One of three LPs recorded by the Gerry Mulligan Sextet of 1955-56, this set includes plenty of lesser-known songs including "Mainstream," "Igloo" and "Lollypop." With such strong soloists as baritonist Mulligan, the always swinging tenor of Zoot Sims, valve trombonist Bob Brookmeyer and trumpeter Jon Eardley, this was a classic West Coast style jazz band and each of its recordings are worth acquiring.
Gerry Mulligan & His Ten-Tette - Shorty Rogers And His Giants - Modern Sounds (1951-1953) {EMI Music rel 2008}

Gerry Mulligan & His Ten-Tette - Shorty Rogers And His Giants - Modern Sounds (1951-1953) {EMI Music rel 2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 201 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 300 dpi (jpg) -> 35 Mb | 5% repair rar
© 1951-53, 2008 Capitol Records / EMI Music | DRG-CD-8505
Jazz / Cool Jazz / West Coast Jazz / Saxophone / Trumpet

Mention the style “cool jazz” to a music fan and most likely their first thought will be of Chet Baker or Dave Brubeck. All well and good, but there was a cat who came before them who actually laid the groundwork for the style. That was Gerry Mulligan, the baritone saxophonist, arranger, and composer whose original piano-less quartet introduced Baker to the world, and who was also present at the early Miles Davis BIRTH OF THE COOL sessions.