Even though Franz Joseph Haydn is widely credited as the father of the string quartet, the Casal Quartet makes a startling claim that the honor may belong to Franz Xaver Richter, whose seven String Quartets, Op. 5, seem to have determined the character of the genre, from their first performance by Carl Ditters von Dittersdorf's quartet in 1757. Richter's quartets preceded Haydn's and Boccherini's earliest efforts by several years, suggesting that they were likely influential. Furthermore, the sophistication and polish of his Op. 5 suggests that he may well have composed other such quartets, though if he did, they are lost.
The Invisible Touch Tour, Genesis' biggest ever, coincided with the release of that album, which went on to be certified 6 x platinum by the RIAA. With a string of sold-out arena shows, the band was cast into the same league as concert stalwarts like the Rolling Stones and Grateful Dead.
Quickly released a few months after Genesis' reunion tour of the summer of 2007, Live Over Europe 2007 is a 21-track collection that finds Phil Collins, Mike Rutherford, and Tony Banks sampling from every era of the band's career, giving equal emphasis to pop hits and extended prog pieces…
What happens when you take a master of progressive rock and an accomplished Nashville producer engineer, and put them together with a host of top-flight Nashville session players to reinterpret one of the most revered 70s prog double-albums? In the case of Spock s Beard drummer Nick D'Virgilio and producer engineer Mark Hornsby, you get Rewiring Genesis A Tribute To The Lamb Lies Down on Broadway, and it's fantastic. While the original featured layers of classic synthesizers (ARP, Mellotron, etc.), there's none of that fake string or choir stuff going on here. Besides rock guitar, bass, and Nick's great drumming (and tasteful lead vocal work), The Lamb is filled with real strings, huge vocal arrangements, horn sections, and even some accordion! Clearly, it's not attempting to simply re-record the classic, it's a fresh and beautiful sounding reinterpretation.
More Than 90 Minutes Of The Spectacular Show Of The Genesis Of The Great Frame Knebworth. This opened THE TOUR OF THE "WE CAN NOT DANCE".
The Way We Walk, Volume Two: The Longs is the fifth live album by British band Genesis and was released in 1993, having been recorded during their 1992 tour for We Can't Dance. The album's title refers to a lyric in two songs, "I Can't Dance" on the previous volume and "I Know What I Like" on this one. While its companion piece, the preceding The Way We Walk, Volume One: The Shorts contained the band's recent pop hits, The Way We Walk, Volume Two: The Longs focused on the longer songs performed during this period. The Way We Walk, Volume Two: The Longs reached No. 1 in the UK where it remained in the charts for 9 weeks, and No. 20 in the U.S. It remains the band's last No. 1 album.
Turn It On Again: The Hits is a greatest hits collection by British progressive rock/pop-rock band Genesis. The album was first released as a single album on 26 October 1999 by Virgin Records in England and by Atlantic Records in the United States. In 2007, an expanded two-disc edition, subtitled The Tour Edition, was released to promote the Turn It on Again reunion tour. All of the tracks, except for "The Carpet Crawlers 1999," were remixed by Nick Davis. In addition, the album features more songs from every album in the band's catalogue (minus the live albums and From Genesis to Revelation).
The Way We Walk, Volume One: The Shorts is the fourth live album by British band Genesis. Eight songs were recorded live on the 1992 We Can't Dance tour, with the remaining three recorded on the 1986–87 Invisible Touch tour. The Way We Walk, Volume One: The Shorts reached No. 3 in the UK where it remained in the charts for 18 weeks, and No.35 in the US, going gold.
"No Son of Mine" is the first single by the British rock group Genesis from their 1991 album We Can't Dance, which reached No. 6 in the UK and No. 12 in the U.S., and was a top ten hit in most of continental Europe.
Jakub Fijak was born in 1992 (Jelenia Góra, Poland). He is a paramedic and creator of electronic music. The main inspiration takes from the artists like Schiller, Enigma or Mike Oldfield. This album tells the story about miracles of this world.