King's last Shelter album was his most elaborately produced, with occasional string arrangements and female backups vocals, although these didn't really detract from the net result. Boasting perhaps heavier rock elements than his other Shelter efforts, it was characteristically divided between blues standards (by the likes of Willie Dixon and Elmore James), Leon Russell tunes, and more R&B/soul-inclined material by the likes of Ray Charles and Percy Mayfield.
On January 20, 1973, Freddie King and a tight quartet performed at a TV studio in Dallas, Texas. "It was humming in there," recalls director Jim Rowley. "Absolutely cooking." King was 38 and enjoying what he called "the Fillmore circuit" in America as well as the adulation of throngs (including adoring rock stars) in Europe, especially England.
Completes the Freddie King story, with all of his 1974-75 RSO studio recordings (some with label-mate Eric Clapton) and four jam-packed discs of sizzling mid-'70s live performances. Bear Family's first Freddie King box was one of our best-selling, best-reviewed sets EVER! This is the exciting sequel. Contains Freddie King's acclaimed 'Burglar' album, produced in England by Mike Vernon, as well as rarities and an unreleased version of That's All Right. Most of the riveting live performances on this immense box are previously unreleased, and all are beautifully recorded in crisp, clear stereo. No bootleg quality sound here! …
1969 album from a certified blues master. Well, actually, we didn’t ask to see his certificate of mastery, but we respect Freddie King enough to know that he wouldn’t release an album entitled Freddie King is a Blues Master if he couldn’t back it up that kind of bold claim. Also, in case this piece happens to be your introduction to the album in question, allow us to assure you that we’ve heard it, and there’s definitely no case of false advertising in play with this album.
Curious, isn't it, how some of the greatest guitarists in post-war Blues history all shared the same regal surname? And entirely fitting. Freddie, Albert, and Earl King royally ruled the Blues kingdom with their brilliant innovations and seminal licks. All of them greatly impacted the Rock field as well. Eric Clapton cites Freddie as a major influence, while Stevie Ray Vaughan was an Albert acolyte. Jimi Hendrix did a dynamite version of Earl's 'Let The Good Times Roll.' These three kings of the electric Blues guitar played a mammoth role in defining the sound of post-war Blues guitar. Their influence remains monumental to this day.
Freddie King in concert was an event to behold. His performances were powerful and filled with emotional singing coupled with burning soulful licks played on his Gibson 355. The rare footage presented on "Live At The Sugarbowl" features a complete set by Freddie and his band recorded at the Sugarbowl in South Carolina on September 22nd, 1972.
Freddie King, hard-driving and perhaps driven, was only 42 when he died on December 28, 1976. The intensity of the performances in this video suggest an artist who burned at full throttle every time he played. Guitarists as diverse as Eric Clapton and Jerry Garcia have cited King as a formative influence. Most of the clips in this collection come from a unique time warp, a fleeting moment when Southern R&B collided with mid-60s "Mod" and rendered a show called The!!!!Beat. Freddie King was 31 at the time of The!!!!Beat, playing and singing in prime form.
Freddie was known as The Texas Cannonball for his hard-driving Texas and Chicago blues stylings. He wasn't afraid to add a dash of the pepper known as rock and roll, either…