After two studio albums, Black Country Communion (a rock group featuring ex-Deep Purple singer/bassist Glenn Hughes, Jason Bonham, Joe Bonamassa, and ex-Dream Theater keyboardist Derek Sherinian) release a live DVD/BluRay: Live Over Europe gathers material from four concerts played in Germany (in Munich, Berlin, and Hamburg) in the summer of 2011. The set list mostly consists of songs from the two studio albums (almost all songs from the sophomore album 2 are included here) and adds Bonamassa's "The Ballad of John Henry" and the Deep Purple classic "Burn." Apart from the live show, which was recorded with 14 HD cameras, the disc includes a 20-minute documentary and a photo gallery.
The first volume Legacy’s Miles Davis bootleg series offered audio and video evidence of his second great quintet playing the Newport Jazz Festival in Europe in 1967. Acclaim from critics and fans was universal. This second entry, Live in Europe 1969: Bootleg Series, Vol. 2, showcases almost an entirely different band – only saxophonist Wayne Shorter remains. Bassist Dave Holland, drummer Jack DeJohnette, and pianist Chick Corea made up Davis' road band, and other individuals participated in sessions for Filles de Kilimanjaro and In a Silent Way. These fire-breathing performances offer a band at fever pitch hearing and playing what they knew even then was a new chapter in jazz history.
Features 24 bit digital remastering. Comes with a description. Before his great quartet split at the end of 1968, Charles Lloyd took this band literally to the ends of the earth. As a quartet, they had grown immensely from that first astonishing spark when they toured the summer festivals in 1966. Here they are a seasoned unit, full of nuance, elegance, and many surprises, while having moved their entire musical center over to the pursuit of Lloyd's obsession – incorporating the music of the East into Western jazz. This show in Norway, which featured the original band of Lloyd on flute and saxes, Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums and percussion, took the idiom begun by John Coltrane and Yusef Lateef and moved it into places even they hadn't imagined.
Swedish rock ‘n’ roll legends, Europe, will share their unique 30th Anniversary performance of The Final Countdown from London’s legendary Roundhouse. The Final Countdown 30th Anniversary Show - Live at the Roundhouse celebrates the multi-platinum album’s triple decade success…
Recordings of Felix Mendelssohn's Violin Concerto in E minor, Op. 64, are abundant, and even the pairing with the rarer Robert Schumann Violin Concerto, WoO 23, of 1853 are not as infrequent as they used to be. The thorny Schumann concerto has undergone a reevaluation upward, and plenty of players now concur with the judgment of Yehudi Menuhin: "This concerto is the historically missing link of the violin literature; it is the bridge between the Beethoven and the Brahms concertos, though leaning more towards Brahms." Violinist Carolin Widmann who (like the ECM label on which the album appears) has focused mostly on contemporary music, takes up the challenge of providing something new here, and she meets it. The central fact of the recording is that Widmann conducts the Chamber Orchestra of Europe from the violin. Others have done this before, but few have pursued the implications of the technique as far as Widmann has: the performances are unusually light and transparent, and they are perhaps thus in accord with the sounds an orchestra of the middle 19th century might have produced. Sample the unusually lively, sprightly reading of the Mendelssohn concerto's finale.