Electric Jazz Jam

Onesco Bogert Ceo Project - Big Electric Cream Jam (2009)  Music

Posted by popsakov at Aug. 8, 2017
Onesco Bogert Ceo Project - Big Electric Cream Jam (2009)

Onesco Bogert Ceo Project - Big Electric Cream Jam (2009)
EAC Rip | FLAC (Img) + Cue + Log ~ 509 Mb | MP3 CBR320 ~ 177 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Blues Rock, Classic Rock, Hard Rock | Grooveyard Records #GYR053

They say that reincarnation is making a comeback. If that is so, it has never been more true than in the new CD by the Onesko, Bogert and Ceo Project – aptly called 'Big Electric Cream Jam.' These three blues-rock virtuosos channel the feeling, emotional content, and musical virtuosity of Eric Clapton, Jack Bruce, and Ginger Baker, respectively, and, believe it or not, take the music up a notch. Most of all, they capture the live excitement and power of the original trio and do it justice – no mean feat! Overall, the inspired playing on this CD makes one not only appreciate Cream on a deeper level, but establishes Onesko, Bogert and Ceo, three veteran players in their own right, in a category of their own whose musical chops show the wisdom of their years, with a debt, no doubt, to the original trio…

Wynton Marsalis - Christmas Jazz Jam (2009)  Music

Posted by dakszhund at Oct. 23, 2009
Wynton Marsalis - Christmas Jazz Jam (2009)

Wynton Marsalis - Christmas Jazz Jam (2009)n
MP3 VBR |101 MB | COVER
Jazz | 1 CD | Label: Somerset Entertainment | Release Date: 2009 | RAR 1% Recovery | RS.com | FF.com

Wynton Marsalis has been described as the most outstanding jazz musician and trumpeter of his generation, as one of the world’s top classical trumpeters, as a big band leader in the tradition of Duke Ellington, a brilliant composer, a devoted advocate for the Arts and a tireless and inspiring educator. He carries these distinctions well. His life is a portrait of discipline, dedication, sacrifice, and creative accomplishment.
The Masters Of Deceit - Hensley's Electric Jazz Band & Synthetic Symphonette (1969)

The Masters Of Deceit - Hensley's Electric Jazz Band & Synthetic Symphonette (1969)
MP3 CBR 320kbps | RAR | 85 mb
Genre: progressive rock, jazz rock, classic rock

Hensley's Electric Jazz Band & Synthetic Symphonette is the 1969 debut album by The Masters Of Deceit. It was also their last record. They were a band from the American state of Indiana which featured Tom Hensley (keyboards and vocals), Steve Blum (guitar), Gary Campbell (bass and vocals), and Stan Gage (drums). This was released on Vanguard Records.
Sonny Rollins - Falling In Love With Jazz (1990) {Milestone 025218917926}

Sonny Rollins - Falling In Love With Jazz (1990) {Milestone 025218917926}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 272 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 300 dpi (jpg) -> 6 Mb | 5% repair rar
© 1990 Milestone Records / Fantasy | 025218917926
Jazz / Post Bop / Saxophone

This average effort from Sonny Rollins and his regular sextet is most notable for two numbers ("For All We Know" and "I Should Care") that find Branford Marsalis joining Rollins in a quintet with pianist Tommy Flanagan. Unfortunately Marsalis makes the fatal error of trying to imitate Rollins (instead of playing in his own musical personality) and he gets slaughtered. Much better are Rollins's romps on "Tennessee Waltz" and "Falling in Love with Love."

Snarky Puppy - We Like It Here (2014) [CD+DVD] {Ropeadope}  Music

Posted by ruskaval at Dec. 25, 2015
Snarky Puppy - We Like It Here (2014) [CD+DVD] {Ropeadope}

Snarky Puppy - We Like It Here (2014) [CD+DVD] {Ropeadope}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 377 Mb | MP3 @320 -> 130 Mb
DVD9 -> 4.53 Gb | All Regions | NTSC 16:9 | Dolby AC3, 2 ch | ~ 100m | ISO Image
Full Artwork @ 300 dpi (png) -> 48 Mb | 5% repair rar
© 2014 Ropeadope | 88295 05588
Jazz / Electric Jazz / Jam Bands / Jazz-Funk / Fusion

A brilliant set of live Snarky Puppy, in all their tightly grooving, though boundlessly creative jazzy soul glory – and it's as great as anything we've heard or seen from them to date! The "Here" of We Like It Here is Utrecht, Netherlands – where they recorded it live (with no overdubs. . .which is incredible, given the deft musicianship) – over 4 days at Kytopia Studios, complete with a studio audience. It's amazing stuff, bringing in even more diverse influences than before, including some kinda proggy funk, which suits the group and the live setting very well. The package includes the set on both CD and DVD, and the titles include "Shofukukan", "What About Me" "Sleeper" "Jambone", "Kite", "Outlier", "Tio Macaco" and "Lingus".
V.A. – Esquire Metropolitan Opera House Jam Session (1944) (24/96 Vinyl Rip Mono)

V.A. – Esquire Metropolitan Opera House Jam Session (1944)
XLD Flac 24Bit/96kHz Mono = 998 MB | Mp3 VBR0 16Bit/48kHz Mono = 114 MB | Scans 400 dpi jpg | RAR
Vinyl 2 LP | Festival 269 | Jazz | USA

There is a story behind this concert – from the liner notes:
"In the 1940s Esquire magazine was one of the most popular news magazines of the American East Coast. Every year it organized a poll among its readers, who voted for the top musicians of the last year. Then all the winners were invited for a great concert which was a major event of New York's nightlife. This is the recording of the first Esquire Jazz Concert. You find, joined for one night, the most popular American Jazz musicians in a night-long jam session."

The Jazz Crusaders - Happy Again (1995)  Music

Posted by Designol at Dec. 20, 2016
The Jazz Crusaders - Happy Again (1995)

The Jazz Crusaders - Happy Again (1995)
EAC | FLAC | Tracks (Cue&Log) ~ 476 Mb (incl 5%) | Mp3 (CBR320) ~ 177 Mb (incl 5%) | Scans included
Crossover Jazz, Smooth Jazz, Jazz-Funk, Fusion | Label: Sin-Drome | # 99.5032.2 | 01:05:54

When trombonist/producer Wayne Henderson, pianist/keyboardist Joe Sample, sax-man Wilton Felder, and drummer Stix Hooper changed their name from the Jazz Crusaders to the Crusaders back in 1971, it signaled a more R&B-minded direction for the group – they were always funky, but in the '70s, they became even funkier. And so, the names the Crusaders and the Jazz Crusaders came to stand for two different things – if the Jazz Crusaders were synonymous with a funky yet acoustic-oriented approach to hard bop (à la Art Blakey's Jazz Messengers), the Crusaders were about electric-oriented jazz-funk and fusion. In 1995, Henderson (who left the Crusaders in 1975) resurrected the name the Jazz Crusaders and produced Happy Again for the small, Los Angeles-based Sin-drome Records.
Al Di Meola ‎- Electric Rendezvous ‎(1982) Columbia/FC 37654 - Original US Pressing - LP In 24bit/96kHz

Al Di Meola ‎- Electric Rendezvous
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Mastered At Masterdisk By Robert Ludwig
Label: Columbia/FC 37654 | Release: 1982 | Genre: Jazz-Rock

Excellent addition to any prog rock music collection
I like Di Meola's music and trying to see and hear him live at any possibility (to be honest, during last some years he is very regular in our side of Europe).And I like his different music - perfect early electric jazz-fusion albums, and later world -fusion with "World Sinfonia".
This album is real transition one. After some excellent electric fusion albums and one not very successful "Splendido Hotel" trying to change things, Al Di Meola returned back to his roots. But only in part.

Equinox Sounds Jazz Funk Breaks [WAV AIF]  Software

Posted by blizzards at Jan. 18, 2016
Equinox Sounds Jazz Funk Breaks [WAV AIF]

Equinox Sounds Jazz Funk Breaks | WAV AIF | 368 MB

'Jazz Funk Breaks' from Equinox Sounds is a collection of 10 stylish Construction Kits with arranged breaks and turnarounds. With consistency of key and BPM throughout this collection, it offers producers of Breakbeat, Hip Hop, Electric Jazz and other genres a powerful versatility and creative control.

Alan Lee - An Australian Jazz Anthology (2015)  Music

Posted by mark70 at Jan. 11, 2016
Alan Lee - An Australian Jazz Anthology (2015)

Alan Lee - An Australian Jazz Anthology (2015)
MP3 320 kbps CBR | 77:58 min | 182 MB
Genre: Jazz | Label: Jazzman

There are few Australian originals in jazz, though vibraphonist Alan Lee surely ranks alongside the best. Australian jazz is and always will be an interpretation of the American art form, but throughout his long career Lee has ploughed his furrow undaunted, 'What I want is the fire! Whether it's John Coltrane's Blues Minor from Africa Brass or Backwater Blues by Leadbelly, I want the emotion, the gut wrenching pain, the cry from within!'