On one end of the continuum, there is Dvorák's Concerto in B minor for cello and orchestra, a composition that is among the composer's best known and has become a cornerstone of the instrument's repertoire. On the other end, the Piano Concerto in G minor, a work that had difficulty garnering acceptance even during the composer's lifetime and is still looked upon with less favor than other concertos written in the same period.
The Goldmark A minor Concerto inspired what was surely Nathan Milstein's finest hour in the recording studio, a reading of the utmost refinement: warm, effortlessly brilliant and displaying that unmistakably suave, silken tone. The work itself which is perhaps just a trifle overlong recalls both Reger and Dvorak, with wistful melodies, lilting rhythms and much busy counterpoint (principally in the outer movements).
These head notes take some explaining. Leave Me Alone is presented twice: the original song, sung by Angelika Kirchschlager, plus a version for cello and piano played by Jan Vogler. In the op. 55 Gypsy Songs, she sings Nos. 2, 5, and 6, while he plays the other four. Ms Kirchschlager sings both Stephen Foster ballads; Wilt Thou Be Gone, Love? includes a cello solo, as well. Pianist Helmut Deutsch accompanies it all.
Even though Anne-Sophie Mutter recorded most of the great violin concertos early in her career, working closely with Herbert von Karajan and the Berlin Philharmonic, she hadn't recorded the Violin Concerto in A minor of Antonín Dvorák. This 2013 recording with Manfred Honeck and the Berlin Philharmonic fills that gap in her legacy, and this is an exceptionally bright and passionate performance, well worth the wait.
This album features Antonin Dvorak´s most famous work, his Symphony No.9 'From the New World' in a passionate and inspired performance by the Cologne New Philharmonic Orchestra under the direction of Maestro Volker Hartung.
Performed at Kölner Philharmonie in Germany, this recording will you give you a wealth of listening pleasure!
Ukrainian pianist Oleg Poliansky joins Volker Hartung and the Cologne New Philharmonic Orchestra in performing cherished orchestral works by Dvorak, including the dramatic Piano Concerto in G Minor, Op. 33, B. 63, in addition to the exuberant Slavonic Dances.
This is a very significant historical reissue and Naxos and sound restorer Mark Obert-Thorn deserve warm thanks for bringing it back and cheap (Pearl had issued the same Dvorak in the mid-1990s, together with Feuermann's earlier recording of only the second and third movements of the Haydn Concerto under Frieder Weissmann, but it now sells at hefty prices on the marketplace, The Young Feuermann).