Digital Negative Jeff

The Digital Negative: Raw Image Processing in Lightroom, Camera Raw, and Photoshop  eBooks & eLearning

Posted by AlenMiler at Oct. 23, 2015
The Digital Negative: Raw Image Processing in Lightroom, Camera Raw, and Photoshop

The Digital Negative: Raw Image Processing in Lightroom, Camera Raw, and Photoshop by Jeff Schewe
English | 27 Aug. 2015 | ISBN: 0134033175 | 336 Pages | AZW3 (Kindle)/HTML/EPUB/PDF (conv) | 120.35 MB

Shooting in the raw format gives digital photographers complete control over every aspect of image quality. The Digital Negative is devoted exclusively to the topic and shows you how to make the most of that control to extract the best-possible raw rendering of your digital negatives and to use Photoshop to achieve the highest quality in your images.

The Digital Negative: Raw Image Processing in Lightroom, Camera Raw, and Photoshop  eBooks & eLearning

Posted by ksveta6 at Dec. 21, 2014
The Digital Negative: Raw Image Processing in Lightroom, Camera Raw, and Photoshop

The Digital Negative: Raw Image Processing in Lightroom, Camera Raw, and Photoshop by Jeff Schewe
2012 | ISBN: 0321839579 | English | 312 pages | EPUB | 27 MB
The Digital Print: Preparing Images in Lightroom and Photoshop for Printing (repost)

The Digital Print: Preparing Images in Lightroom and Photoshop for Printing by Jeff Schewe
English | ISBN: 0321908457 | 2013 | EPUB | 336 pages | 120 MB

The Digital Print: Preparing Images in Lightroom and Photoshop for Printing  eBooks & eLearning

Posted by Grev27 at Sept. 1, 2013
The Digital Print: Preparing Images in Lightroom and Photoshop for Printing

Jeff Schewe, "The Digital Print: Preparing Images in Lightroom and Photoshop for Printing"
English | ISBN: 0321908457 | 2013 | EPUB | 336 pages | 120 MB
Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing

Brad Hinkel, Ron Reeder - Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing
2006 | ISBN: 0240808541 | English | 224 pages | PDF | 20 MB
Photoshop CS2 Raw: Using Adobe Camera Raw, Bridge, and Photoshop to Get the Most Out of Your Digital Camera by Mikkel Aaland

Photoshop CS2 Raw: Using Adobe Camera Raw, Bridge, and Photoshop to Get the Most Out of Your Digital Camera by Mikkel Aaland
Publisher: O'Reilly Media (March 15, 2006) | ISBN: 0596008511 | CHM | 19 Mb | 206 pages

The RAW file format is the uncompressed data file captured by a digital camera's electronic sensor. When your camera saves an image in RAW format, settings like white balance, sharpening, contrast and saturation are not applied to the image but are saved instead in a separate header. Because RAW files remain virtually untouched by in-camera processing, they are essentially the digital equivalent to exposed but undeveloped film.
Ensemble Alia Mens & Olivier Spilmont - J. S. Bach: Weimar Cantatas (2017) [Official Digital Download 24/96]

Ensemble Alia Mens & Olivier Spilmont - J. S. Bach: Weimar Cantatas (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 54:51 minutes | 1.00 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The group of Weimar cantatas is exciting on many levels. The purpose Bach expressed in his Mühlhausen resignation letter – which became a master beam of the musical edice he built throughout his life – is expressed with an even more seminal vigour, due to the restrictions it suffered previously. Besides the beauty of the surviving works, which renders the loss of the missing ones all the more bitter, it is moving to see the musician engage, with each new piece, in experiments with form, ideas, and the language for expressing the word of God through the most sensitive possible texts. The choice of developing themes dear to him enabled him to afirm and deepen his faith.
Simon Trpčeski, RLPO & Vasily Petrenko -  Prokofiev: Piano Concertos 1 & 3 (2017) [Official Digital Download 24/96]

Simon Trpčeski, RLPO & Vasily Petrenko - Prokofiev: Piano Concertos 1 & 3 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 52:26 minutes | 904 MB
Studio Master, Official Digital Download | Artwork: Front Cover

Prokofiev was just 21 when he first performed his First Piano Concerto in Moscow, on 25 July 1912, with his teacher Nikolay Tcherepnin conducting. That same year, even as he was composing his ferocious Second Piano Concerto, Prokofiev was contemplating composing 'a little pendant, something a little lighter'. The Third Concerto has the kind of grace, economy and balance that one might almost call Classical. Indeed, it has stylistic traits in common with Prokofiev s First Symphony known as the Classical . It has become one of the 20th century s most popular concertos.
Stephan Genz & Michel Dalberto - Schubert: Schwanengesang & Klavierstücke, D. 946 (2017) [Official Digital Download 24/96]

Stephan Genz & Michel Dalberto - Schubert: Schwanengesang & Klavierstücke, D. 946 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 66:19 minutes | 990 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

The baritone Stephan Genz and the pianist Michel Dalberto gathered again around the Lied. After Schumann, Brahms and Wolf, they join Schubert to record his Swansong. That posthumous cycle, with its moving accents and mysterious atmosphere, was made up by an editor in want of a commercial success. However this collection of lieder shows how skilled Schubert was to make a real author of a minor one. Schubert was also the first composer to set Heine’s poetry to music, well before Schumann.
Trio Metamorphosi - Schumann: Piano Trio No. 3 & Phantasiestücke Op. 88 (2016) [Official Digital Download 24/44]

Trio Metamorphosi - Schumann: Piano Trio No. 3 & Phantasiestücke Op. 88 (2016)
FLAC (tracks) 24-bit/44.1 kHz | Time - 62:15 minutes | 579 MB
Studio Master, Official Digital Download | Artwork: Front Cover

Schumann’s G minor Piano Trio belongs to a group of three chamber works composed in rapid succession in the autumn of 1851, at a time when the composer’s relations with the Düsseldorf municipal orchestra, of which he had been director since 1849, had begun to sour. The Trio followed hard on the heels of Schumann’s First Violin Sonata in A minor; and its opening movement, with its passionately intense main subject and its driving 6/8 rhythm, clearly looks forward to that of the Sonata’s D minor successor which he began barely more than a fortnight later.