This is the eight volume of a new series launched by Diapason. 12 CDs in 1 box containing beautiful Schubert piano music.
August Gottfried Ritter (1811-1885) is no household name, but to organists he one of the most significant figures in the history of their instrument; while his three-volume method of playing Kunst des Orgelspiels becoming a source of reference in Germany and elsewhere, his Geschichte des Orgelspiels compendium established his renown through bringing to light composers from the Renaissance and the Baroque periods, some of whom had already been forgotten by the time it was published in 1884. Today he is regarded as the founder of the modern German organ school. Placing a selection of rare works alongside his more famous organ music, this collection forms a unique tribute to the German composers genius. The four Organ Sonatas are first to be presented, pieces which are all cyclical in nature, with Op.23 forming his largest composition for organ, a work of vast proportions that was dedicated to Liszt and which includes Ritters debut use of organ toccata form.
From 1980 comes this lovely prog inspired album from Pierpaolo Bibbo. "Diapason" was a very good and unique symphonic album during a period that was considered less than stellar among most progressive rock fans. It was recorded during 1979 and released on La Strega Records in 1980. Bibbo composed everything and co-produced the album with Marcello Mazzella. He played guitars and bass, handled vocals, and played synths showing a high level of all-around competence. Other musicians provided additional keyboards, drums, violin, and flute giving the album a reasonable "band" feel. Like other symphonic releases of this period "Diapason" doesn't outwardly break a lot of new ground but Bibbo's unique talents and interesting approach give this work a fresh feel…
Although best remembered for his devotion to the core Austro-Germanic repertoire, Austrian conductor Herbert von Karajan did flirt with the English repertoire in the '50s and early '60s.
In the golden age of orchestral recording – the 1950s cusp between mono and stereo – American labels piled into London and Vienna after an aggressive union priced their own musicians out of work. At Abbey Road, players worked 30 days on the trot, three sessions a day, to feed a burgeoning market for classical music. In Vienna, the Philharmonic (exclusively contracted to Decca) performed under six different names for other labels.