101 is a live album and documentary by Depeche Mode released in 1989 chronicling the final leg of the band's Music for the Masses Tour and the final show at the Pasadena Rose Bowl. Group member Alan Wilder is credited with coming up with the name; the performance was the 101st and final performance of the tour (and coincidentally also a famous highway in the area).
Music for the Masses is the sixth studio album by Depeche Mode. It was released by Mute Records on 28 September 1987. The album became the band's highest-charting in the US upon its release, reaching #35 on the Billboard 200. It also contained more hit singles than any of their previous releases. While there was no extremely popular single from the album ("People Are People" from Some Great Reward reached #13 on the Billboard Hot 100), the three singles that were released all made it onto the Hot 100, a feat that hadn't been achieved by any Depeche Mode single after those from Some Great Reward. Moreover, all three singles achieved modest success on the chart.
SONGS OF FAITH AND DEVOTION - LIVE features songs from the studio version in the same sequence.
SONGS OF FAITH AND DEVOTION finds the band reinventing itself somewhat via lyirics that largely abandon the bleakness of the band's previous forays in favor of cautious optimism and spiritual questions.
Depeche Mode's tenth album, SONGS OF FAITH AND DEVOTION, finds the band reinventing itself somewhat. Not that it'd been exactly treading water, but its last several albums had explored and refined a particular aesthetic of dark lyrical themes and minor-key synthesizer atmospherics.
Originally a product of Britain's new romantic movement, Depeche Mode went on to become the quintessential electropop band of the 1980s. One of the first acts to establish a musical identity based completely around the use of synthesizers, they began their existence as a bouncy dance-pop outfit but gradually developed a darker, more dramatic sound that ultimately positioned them as one of the most successful alternative bands of their era…
In a time of sociopolitical upheaval, Depeche Mode emerged with Spirit. Dark, brooding, and painfully relevant upon its release, the collection is one of their most intense and aggressive statements, isolating the frustration, anger, tension, and dread coursing across the globe in the wake of the 2016 U.S. presidential election and Brexit. With little subtlety, Depeche Mode take aim and leave few survivors. Producer James Ford (Simian Mobile Disco, Arctic Monkeys, Florence + the Machine) revives the trio after their two prior lackluster efforts and turns Spirit into a highlight of their late era, the strongest effort since 2005's Playing the Angel…