Features 24 bit remastering and comes with a mini-description. Austin's one and only album as leader. If you like crooners, then he can croon with best. The only album we've ever seen from vocalist Austin Cromer – a deep-voiced jazz singer with a style that's somewhere in the best space between Billy Eckstine and Arthur Prysock! Cromer's a lot more relaxed and less posturing than either of those bigger names – and he's got a great setting here, with small combo backing from a group that features Hubert Laws on flute, Chick Corea on piano, Richard Davis on bass, and Bruno Carr on drums! The set's a jazz one at heart, but has some soulful undercurrents too.
"Faith" is the debut solo studio album by the English singer George Michael, released on 30 October 1987 by Columbia Records and Epic Records. The album has won several awards including the Grammy Award for Album of the Year in 1989. To date, the album has sold over 25 million copies worldwide, and received diamond certification from the Recording Industry Association of America (RIAA). "Faith" spawned six top five singles that substantially helped it dominate the charts in 1987 and 1988.
Street of Dreams was designed as a project for Patti Austin to sing her favorite songs, regardless of genre. True, there are a couple of later songs here, usually including two co-written by Vaneese Thomas, but the heart of the album is in interpretations of "The Look of Love," "Street of Dreams," "Someone to Watch Over Me," "'Till There Was You," "I Only Have Eyes for You," "For Once in My Life," and "IGY (What a Beautiful World)." Although the arrangements can get a little too clean and synthesized (much of the album sounds as if it was recorded with DX-7s), Austin is in terrific form throughout, breathing life into songs that have been recorded numerous times. It's a fine latter-day effort from a fine singer.
In a world, where the funk grows weaker with every passing year, it musters the last of its strength to send out the "vibe”. This vibe scours light years in search of a host, for the funk can not thrive on its own. Losing hope, the funk falls to earth in its last attempt to find sanctuary with the last ounce of its power. The vibe in released for the final time. But this time something extraordinary happens, the vibe falls on the conscience of 11 celestial beings in Austin, Texas. Not knowing what pulls them, these beings aimlessly journey to the funk's resting place.
A big band, gypsy jazz rendez-vous of original music, featuring international singers and instrumentalists, in a theatrical and sexy cabaret format. The music of Julie Rose Wilde, arranged for big band by William Austin. Feat. Connie Evingson, Bireli Lagrene, Didier Lockwood, Jeff Hamilton, Ron Meza Big Band, Annie Sellick, etc.
This 1981 recording is an excellent example of David Sanborn's music. The highly influential altoist is joined by familiar studio veterans (including guitarist Hiram Bullock and drummer Steve Gadd) with bassist/composer Marcus Miller being a key figure in creating the funky rhythms and colorful backgrounds. Miller, who shared the writing chores with Sanborn, not only contributed his powerful bass, but backed the altoist during a duet version of "Just for You" on piano. Easily recommended to fans of R&B-ish jazz.
This album is one of David Sanborn's better early recordings. Although the record is perhaps best known for the altoist's version of Paul Simon's "I Do It For Your Love," Sanborn's playing on some of the other cuts (most notably "Mamacita" and "7th Avenue") finds him really stretching within the R&B/crossover genre. Only "Smile" (which has some mundane vocalizing) is a minus, and it is more than compensated for by Sanborn's passionate improvising elsewhere.