By 1999, Crash Test Dummies probably figured they would never be hip in America, so they made partial concessions on Give Yourself a Hand. If you have trouble getting past Brad Roberts' awkward singing and writing, then maybe innovative breakbeats and arrangements might obscure them. The results are exactly what you'd expect – an instrumentally progressive pop album, completely neutralized by embarrassing lyrics and vocals. Give Yourself a Hand redefines the Dummies sound with lightly applied techno strokes, not far off from Everything But the Girl's classic Walking Wounded.
God Shuffled His Feet is the second album by the Crash Test Dummies, released in 1993. It features their most popular single, "Mmm Mmm Mmm Mmm". The cover art superimposes the band members' faces over the figures of Titian's painting Bacchus and Ariadne. It was their most successful album commercially.
The Ghosts That Haunt Me is the 1991 debut album by the Canadian folk rock group Crash Test Dummies. It featured their hit "Superman's Song".The artwork featured on the cover, and throughout the liner notes, is by 19th-century illustrator Gustav Doré and is from 'The Rime of the Ancient Mariner' by Samuel Taylor Coleridge. The same painting would later be used for black metal band Judas Iscariot's final full length, "To Embrace the Corpses Bleeding".
They've been rammed, beaten, dropped, run over, and even decapitated, all in the name of automotive safety. Join us as we track the evolution of the crash test dummy, one spectacular car wreck at a time. We examine each member of the dummy family tree, from 1948's Thin Man, the grandfather of them all, to 1976's industry standard Hybrid III, to today's THOR, the $750,000 god of safety. We also sit in on recent crash test experiments to show how, even decades later, these heroes of the highway show no signs of slowing down.