Chet Baker Baker

Chet Baker - Baker's Holiday (1965/2013) [Blu-Ray Audio Rip 24-96] RE-UP

Chet Baker - Baker's Holiday (1965/2013)
FLAC (tracks) 24 bit/96 kHz | Time - 32:10 minutes | 752 MB
Blu-Ray Audio Rip | Sourced Track - LPCM 2.0 Stereo | No Art
Chet Baker - Baker's Holiday (1965) [Verve's Reissue 2004] PS3 ISO + FLAC {RE-UP}

Chet Baker - Baker's Holiday (1965) [Verve's Reissue 2004]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 31:56 minutes | Scans included | 1,01 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 641 MB

Baker's Holiday finds Chet Baker effectively paying tribute to Billie Holiday with mellow trumpet solos and occasional vocals. Baker is backed by a full sax section and a four-piece rhythm section that includes pianist Hank Jones; Jimmy Mundy contributed the colorful arrangements. His performance of ten songs associated with Lady Day (most of which he had not recorded previously) is often exquisite.

Chet Baker - Baker's Holiday (1965) [SACD 2004]  Music

Posted by plonker at Jan. 21, 2010
Chet Baker - Baker's Holiday (1965) [SACD 2004]

Chet Baker - Baker's Holiday (1965) [2004 SACD]
West Coast Jazz | EAC rip | WavPack: IMG+CUE+EAC/log -> 218 MB | mp3@VBR V0 (230kbps) -> 61 MB
32:08 min | scans 600dpi | RAR inc. 3% recovery | FF & UL | Verve B0003279-16 SACD [CD layer only]
Chet Baker - The Complete Pacific Jazz Live Recordings of Chet Baker with Russ Freeman (1954) {3CD Mosaic MD3-113 rel 1986}

Chet Baker - The Complete Pacific Jazz Live Recordings of The Chet Baker Quartet with Russ Freeman (1954) {3CD Mosaic MD3-113 rel 1986}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 745 Mb | MP3 @320 -> 413 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1954, 1986 Pacific Jazz / Mosaic Records | MD3-113
Jazz / Cool / West Coast Jazz / Trumpet / Piano

The independent jazz reissue label Mosaic Records garnered a rightful reputation as industry leaders and enthusiast favorites with deluxe and strictly limited-edition packages such as this one. The contents of this four-LP/three-CD collection are derived from two performances during the summer of 1954 and feature the Chet Baker Quartet: Baker (trumpet/"boom bam" percussion), Russ Freeman (piano), Carson Smith (bass), and Bob Neel (drums). The two performances – recorded July 21 at Santa Cruz's Civic Auditorium and August 10 at The Tiffany Club in Los Angeles, respectively – are presented chronologically.
Chet Baker - The Complete Pacific Jazz Studio Recordings of the Chet Baker Quartet with Russ Freeman (1953-56) {Mosaic MD3-122}

Chet Baker - The Complete Pacific Jazz Studio Recordings of the Chet Baker Quartet with Russ Freeman (1953-56) {3CD Set Mosaic MD3-122 rel 1989}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 805 Mb | MP3 @320 -> 434 Mb
Full Artwork @ 300 dpi (png) -> 174 Mb | 5% repair rar
© 1953-56, 1989 Pacific Jazz / Mosaic Records | MD3-122
Jazz / Cool / West Coast Jazz / Trumpet / Piano

This essential four-LP box set features trumpeter Chet Baker leading his own group during the 1953-1956 period (shortly after the breakup of the Gerry Mulligan Quartet) with pianist Russ Freeman, either Bob Whitlock, Carson Smith, Joe Mondragon, Jimmy Bond, or Leroy Vinnegar on bass, and Bobby White, Larry Bunker, Shelly Manne, Bob Neel, Peter Littman, or Lawrence Marable on drums. Baker is heard at his coolest (mostly before he became influenced by Miles Davis); some of the later selections also feature his first recorded vocals. Because the Mosaic box sets are limited editions, they should be acquired as soon as possible.
Chet Baker Trio - The Touch of Your Lips (1979) {SteepleChase SCCD 31122 rel 1989}

Chet Baker Trio - The Touch of Your Lips (1979) {SteepleChase SCCD 31122 rel 1989}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 172 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 600 dpi (jpg) -> 49 Mb | 5% repair rar
© 1979, 1989 SteepleChase ProductionsApS | SCCD 31122
Jazz / Cool / West Coast Jazz / Standards / Trumpet

This was the perfect setting during his later years. The trumpeter (who also sings on two of the six songs) sounds very relaxed and comfortable while accompanied by the duo of guitarist Doug Raney and bassist Niels Pedersen, taking some consistently lyrical solos on the six standards.
Gerry Mulligan & Chet Baker - Carnegie Hall Concert (1974) {Epic EPC 450554 2 rel 1987}

Gerry Mulligan & Chet Baker - Carnegie Hall Concert (1974) {Epic EPC 450554 2 rel 1987}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 405 Mb | MP3 @320 -> 166 Mb
Full Artwork @ 300 dpi (jpg) -> 35 Mb | 5% repair rar
© 1974, 1987 CTI / Epic / CBS | EPC 450554 2
Jazz / Cool / West Coast Jazz / Saxophone / Trumpet

At this 1974 concert baritonist Gerry Mulligan and trumpeter Chet Baker had one of their very rare reunions; it would be only the second and final time that they recorded together after Mulligan's original quartet broke up in 1953. Oddly enough, a fairly contemporary rhythm section was used (keyboardist Bob James, vibraphonist Dave Samuels, bassist Ron Carter, drummer Harvey Mason, and in one of his first recordings, guitarist John Scofield). However, some of the old magic was still there between the horns, and in addition to two of Mulligan's newer tunes, this set (the first of two volumes) also includes fresh versions of "Line for Lyons" and "My Funny Valentine."
Chet Baker & Bud Shank - Theme Music From "The James Dean Story" (1956) {Pacific Jazz 07777 7 95251 2 6 rel 2000}

Chet Baker & Bud Shank - Theme Music From "The James Dean Story" (1956) {Pacific Jazz 07777 7 95251 2 6 rel 2000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 244 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1956, 2000 Pacific Jazz / Capitol | 07777 7 95251 2 6
Jazz / Cool / West Coast Jazz / Soundtracks

West coast cool purveyors Chet Baker (trumpet) and Bud Shank team up to provide the incidental soundtrack to The James Dean Story (1958). Granted, the biopic was presumably made to cash in on the actor's untimely demise, but movie buffs also recognize it as one of director Robert Altman's earliest features. The score was written by Leith Stevens, who had previously worked on Private Hell 36 (1954), The Wild One (1954), and the Oscar-winning sci-fi classic Destination Moon (1950). Those credentials may have gotten Stevens the gig, but his contributions remain somewhat of a double-edged sword.
The Chet Baker & Art Pepper Sextet - Playboys (1956) {Pacific Jazz-Phoenix 131556 rel 2012}

The Chet Baker & Art Pepper Sextet - Playboys (1956) {Pacific Jazz-Phoenix 131556 rel 2012}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 395 Mb | MP3 @320 -> 161 Mb
Full Artwork @ 600 dpi (jpg) -> 195 Mb | 5% repair rar
© 1956, 2012 Pacific Jazz / Phoenix | 131556
Jazz / West Coast Jazz / Cool / Trumpet / Saxophone

This 2012 disc gathers all known sides cut during a July 26, 1956 confab led by West Coast cool purveyors Chet Baker (trumpet) and Art Pepper (alto sax). Keen-eyed enthusiasts will note that this particular date occurred during a remarkable week – July 23 through July 31 – of sessions held at the behest of Pacific Jazz label owner and producer Dick Bock at the Forum Theater in Los Angeles. Recordings made during this week not only inform The Route, but three other long-players as well: Let's Get Lost, Chet Baker & Crew, and At the Forum Theater. These were likewise the first sides cut by Baker since returning from his triumphant and extended stay in Europe.

The Chet Baker Quintet - Cools Out (1956) {1991, Reissue}  Music

Posted by popsakov at May 31, 2017
The Chet Baker Quintet - Cools Out (1956) {1991, Reissue}

The Chet Baker Quintet - Cools Out (1963) {1991, Reissue}
EAC Rip | WV (Img) + Cue + Log ~ 159 Mb | MP3 CBR320 ~ 72 Mb
Scans (PNG, 600 dpi) ~ 48 Mb | RAR 5% Recovery
Ⓟ 1986 / © 1991 Ace Records / Boplicity Records #CDBOP 13
Cool Jazz / Bop / Hard Bop

Reissue of Chet Baker Quintette - Chet Baker Quintette, released in 1963 on Crown Records. Chet Baker was a primary exponent of the West Coast school of cool jazz in the early and mid-'50s. As a trumpeter, he had a generally restrained, intimate playing style and he attracted attention beyond jazz for his photogenic looks and singing. Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals (Chet Baker Sings, It Could Happen to You). Jazz historian Dave Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one." His well-publicized drug habit also drove his notoriety and fame; Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and '80s.