The triumphant release of Mission in autumn 2012 drew rave reviews and was followed up in September 2013 with Steffani’s Stabat Mater, alongside his greatest sacred works for chorus, orchestra and soloists, and a further disc of dances and overtures with the celebrated I Barrochisti conducted by Diego Fasolis. On the Stabat Mater, Bartoli leads an array of internationally celebrated singers including countertenor Franco Fagioli, the bass Salvo Vitale and the two young German tenors Daniel Behle and Julian Prégardien. The final album of the collection is Danze & Ouvertures’, contains 43 great tracks of enchanting early-baroque music.
GRAMOPHONE Magazine Editor's Choice - February 2016. dB Productions celebrate the 150th anniversary of Carl Nielsen with two CD volumes of his music! Featured again on this second volume is one of Sweden’s leading violinists, Cecilia Zilliacus, in Nielsen’s violin concerto. The Helsingborg Symphony Orchestra is conducted by young rising star, Daniel Blendulf.
This was to be the end of the line for Italian word-setting by Viennese composers: once the confident sentiments that belonged to the poet Metastasio's opera seria felt the chill and threatening wind of Enlightenment and Revolution, their time was up. Even we, for the most part, prefer to remember the German-speaking Beethoven, Schubert and Haydn. So it is good to be reminded of their responses to the Italian muse (usually as part of their craft-learning student work) in this particularly well-cast recital. Central Europe, in the person of Andras Schiff meets Italy, in Cecilia Bartoli, to delightful, often revelatory effect.
In collaboration with Giovanni Antonini, Riccardo Minasi and Maurizio Biondi, Cecilia Bartoli restores the sound and spirit of Norma in a landmark Decca recording based on the opera’s original sources. Cecilia Bartoli leads a fabulous cast in Decca’s groundbreaking new recording, which presents Vincenzo Bellini’s Norma in a form that is complete with the exquisite mix of vocal and instrumental colours that Bellini intended for his ‘tragic opera’.