Bill Evans The Secret Sessions

Bill Evans - The "Interplay" Sessions (1962) {2007 Milestone Remaster} [re-up]

Bill Evans - The "Interplay" Sessions (1962) {2007 Milestone Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 505 Mb | MP3 @320 -> 190 Mb
Full Artwork @ 600 dpi (png) -> 112 Mb | 5% repair rar
© 2007 Milestone / Concord | 0888072470668
Jazz / Post Bop / Modal Music / Piano Jazz

During the seven year span at Riverside that launched his career, Bill Evans only twice recorded outside his customary trio format: in the summer of 1962, when he went into the studio in quintet settings involving some of the major jazz artists of the period. The results are combined in this package. #1-6 originally issued as Interplay (Riverside 445). #7-13 originally issued as part of The Interplay Sessions double-LP (Milestone 47055), as previously unreleased selections.
Bill Evans - The 'Interplay' Sessions (1962) {2007 Milestone Remaster}

Bill Evans - The 'Interplay' Sessions (1962) {2007 Milestone Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 497 Mb | MP3 @320 -> 180 Mb
Full Artwork @ 300 dpi (png) -> 23 Mb
© 2007 Milestone / Concord | 0888072470668
Jazz / Post Bop / Modal Music / Piano Jazz


Bill Evans - The 'Interplay' Sessions (1962) {2007 Milestone Remaster}

During the seven year span at Riverside that launched his career, Bill Evans only twice recorded outside his customary trio format: in the summer of 1962, when he went into the studio in quintet settings involving some of the major jazz artists of the period. The results are combined in this package.
#1-6 originally issued as Interplay (Riverside 445)
#7-13 originally issued as part of The Interplay Sessions double-LP (Milestone 47055), as previously unreleased selections.
Bill Evans The Unknown Sessions (180 Gram Japanese Vinyl Pressing Rip 24/bit/96kHz)

Bill Evans The Unknown Sessions (180 Gram Japanese Vinyl Pressing Rip 24-bit/96kHz)
Genre: Jazz | Vinyl Transfer 24bit/96kkHz| FLAC, 300 dpi scans | 1983 | 620MB
Bill Evans - The Complete Bill Evans on Verve (1997) [18CD Box Set] {Verve} [repost]

Bill Evans - The Complete Bill Evans on Verve (1997) [18CD Box Set] {Verve}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 7.02 Gb | MP3 @320 -> 2.88 Gb
Full Artwork @ 600 dpi (jpg) -> 151 Mb | 5% repair rar
© 1997 Verve / PolyGram | 314 527 953-2
Jazz / Post Bop / Modal Music / Piano

THE COMPLETE BILL EVANS ON VERVE is an 18-disc, 269-track box set featuring every track that Bill Evans recorded for Verve between 1962 and 1969, including 98 previously-unreleased tracks. It includes a 160-page, full-color book. THE COMPLETE BILL EVANS ON VERVE was nominated for a 1998 Grammy Award for Best Recording Package - Boxed and for Best Historical Album. The 18 CDs in this exhaustive set provide a comprehensive picture of Bill Evans from 1962 to 1969, a period when the pianist was both consolidating his fame and sometimes taking his music into untested waters, from unaccompanied piano to symphony orchestra. His work with multitracked solo piano, originally released as Conversations with Myself and the later Further Conversations with Myself, was the most remarkable new format for his introspective music. It gave Evans a way to be all the pianists he could be at once–combining densely chordal, harmonically oblique parts with surprising, rhythmic punctuation and darting, exploratory runs.
Bill Evans - The Complete Riverside Recordings (1987) {REPOST}

Bill Evans - The Complete Riverside Recordings (1987) {REPOST}
EAC rip | FLAC+CUE+LOG | Scans | 12 CDs | 4.34 Gb (Incl. Recovery)
Genre ~ Cool, Mainstream Jazz, Piano Jazz | Label ~ Riverside Records
Bill Evans Quintet - Interplay Sessions (1962) [XRCD VICJ-60172] (Repost)

Bill Evans Quintet - Interplay Sessions (1962) [XRCD VICJ-60172]
2001 | Jazz | EAC Rip | Lossless FLAC+Log+Cue -> 300MB | Covers | FS+RS

Although pianist Bill Evans had been recording as a leader steadily since 1959 (with one date in 1956), it wasn't until this 1962 session – one of his first after returning to active playing a year after bassist Scott LaFaro's tragic death – that he introduced a horn. Evans is featured with trumpeter Freddie Hubbard, guitarist Jim Hall, bassist Percy Heath, and drummer Philly Joe Jones performing five veteran standards (highlighted by "You and the Night and the Music," "You Go to My Head," and "Wrap Your Troubles in Dreams"), plus the pianist's blues "Interplay." Excellent music. [The JVC XRCD reissue also adds a second take of "I'll Never Smile Again."]

Bill Evans - The Riverside Collection (2015)  Music

Posted by Pisulik at March 14, 2017
Bill Evans - The Riverside Collection (2015)

Bill Evans - The Riverside Collection (2015)
EAC Rip | FLAC (Tracks) +cue, log - 1 GB | 03:20:32
Jazz | Label: Not Now Music | Release Year: 2015

Evans, born in New Jersey in 1929, was by far the most individual and influential pianist to emerge during the 'hard bop' era of late-Fifties jazz. He created his own niche and, rather than try to fit into any particular style himself, allowed his own to fit in with others should they be interested. Evans was one of very few white musicians who most (though not all) black musicians were willing to accommodate. Enjoy 5 of his original jazz albums from the Riverside years from this superb 5 disc collection: "Waltz For Debby", "Moon Beams", "How My Heart Sings!", "Interplay" and "Know What I Mean?".

Bill Evans - The Complete Riverside Recordings (12CDs, 1991)  Music

Posted by Discograf_man at Jan. 19, 2017
Bill Evans - The Complete Riverside Recordings (12CDs, 1991)

Bill Evans - The Complete Riverside Recordings (12CDs, 1991)
Bop, Post Bop, Cool Jazz | MP3 CBR 320 kbps | 1.82 GB
Label: Riverside Record | Release Year: 1991

William John Evans, known as Bill Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.

Bill Evans - The Last Trio Live '80 (2006)  Music

Posted by robi62 at Dec. 24, 2016
Bill Evans - The Last Trio Live '80 (2006)

Bill Evans - The Last Trio Live '80 (2006)
Video: NTSC, MPEG-2 at 7 958 kb/s, 720 x 576 at 29.970 fps | Audio: PCM 2 channels at 1 536 kb/s, 48.0 kHz
Genre: Jazz | Label: Voa | Copy: Untouched | Release Date: 2 May 2006 | Runtime: 43 min. | 2,90GB (DVD5)

William John "Bill" Evans , August 16, 1929 - September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.

Bill Evans - The Brilliant (1980) {Timeless Records SJP 329}  Music

Posted by ruskaval at Aug. 30, 2016
Bill Evans - The Brilliant (1980) {Timeless Records SJP 329}

Bill Evans - The Brilliant (1980) {Timeless Records SJP 329}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 253 Mb | MP3 @320 -> 118 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 1980, 1996 Timeless Records | SJP 329
Jazz / Modal Music / Post Bop / Piano Trio

The music on this live CD is much better played than expected, for pianist Bill Evans would pass away on the following September 15. Recorded at San Francisco's Keystone Korner during his last engagement, Evans (along with bassist Marc Johnson and drummer Joe LaBarbera) still seems in surprisingly prime form on four originals (including "Letter to Evan" and "Bill's Hit Tune"), three obscurities, and the "Theme from M.A.S.H." Hopefully, the music from this well-documented gig will eventually be released completely and in chronological order, for the highly influential pianist shows no obvious sign of decline during the highly intuitive post-bop performance.