Beethoven Bagatelle No. 25

London Symphony Orchestra, Bernard Haitink - Beethoven: Symphony No. 3 'Eroica', Leonore Overture No. 2 (2006) [24/96]

London Symphony Orchestra, Bernard Haitink - Beethoven: Symphony No. 3 'Eroica', Leonore Overture No. 2 (2006)
FLAC (tracks) 24-bit/96 kHz | Time - 61:04 minutes | 1,24 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet, Front cover

Beethoven took a massive stride forward in the development of the symphonic form with the 'Eroica'. Not only is the work written on an unprecedented scale, it also lays the very foundations of Romanticism in music.The symphony mirrors Beethoven's own emergence from despair and he used it to symbolize mankind's capacity for greatness. He initially dedicated the score to Napoleon whom embodied his view of greatness. However, when Napoleon crowned himself Emperor, Beethoven furiously removed the dedication from the score.

101 Classics: The Best Loved Classical Melodies 8 CD Box Set (2008)  Music

Posted by Discograf_man at Nov. 9, 2015
101 Classics: The Best Loved Classical Melodies 8 CD Box Set (2008)

101 Classics: The Best Loved Classical Melodies 8 CD Box Set (2008)
Classical, Orchestra, Instrumental, Opera | MP3 CBR 320 kbps | 1,23 Gb | Covers - 14 Mb
Label: Naxos | Release Year: 2008

A unique 8-CD collection comprising nine hours of the best loved classical music!
Maude Gratton & Baptiste Lopez - Ludwig van Beethoven: Sonatas No. 3, No. 7 & No. 10 (2017)

Maude Gratton & Baptiste Lopez - Ludwig van Beethoven: Sonatas No. 3, No. 7 & No. 10
Classical | WEB FLAC (tracks) & d. booklet | 70:15 min | 303 MB
Label: Mirare | Tracks: 11 | Rls.date: 2017

With these three sonatas for piano and violin, Baptiste Lopez and Maude Gratton give us an overview of fifteen years in Beethoven’s life; the joie de vivre of the impetuous young composer, still strongly influenced by Classical forms, gradually gives way to a violent aesthetic break, the eccentricity of which was decried by contemporary critics. If, in Beethoven’s view, music confronts humanity with the difficulties of our condition, it also enables us to overcome them; the composer himself transcended his battle against deafness by finding in it the profundity of a creative force.
Michael Sanderling - Beethoven Symphony No. 3 & Shostakovich Symphony No. 10 (2017) [Official Digital Download 24/96]

Michael Sanderling - Beethoven Symphony No. 3 & Shostakovich Symphony No. 10 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 104:44 minutes | 1.61 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The Dresdner Philharmonie is one of Germany's major orchestras and has laid, together with his Principal Conductor Michael Sanderling, its focus on recording the complete cycle of symphonies by Ludwig van Beethoven (1770-1827) and Dmitri Shostakovich (1906-1975). After having released Beethoven's and Shostakovich's symphonies nos. 6 in 2015, for which the orchestra has received positive reviews, this recording is the second album from the cycle. Michael Sanderling decided to pair Beethoven's symphony no. 3 and Shostakovich's symphony no. 10 because of the similar motivation of both composers: to display the current political situation, i.e. Napoleon's reign and Stalin's dictatorial regime.

Spotters Magazine No.25 - 2017  Magazines

Posted by Puslik at Aug. 4, 2017
Spotters Magazine No.25 - 2017

Spotters Magazine No.25 - 2017
Italian | 110 pages | True PDF | 25 MB
David Bernard, Park Avenue Chamber Symphon - Beethoven: Symphony No.9 (2017) [Official Digital Download]

David Bernard, Park Avenue Chamber Symphon - Beethoven: Symphony No.9 (2017)
FLAC (tracks) 24-bit/48 kHz | Time - 65:36 minutes | 306 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

''After Recursive Classics s successful launch recording with David Bernard and the Park Avenue Chamber Symphony - the world premiere recording of the new edition of Stravinsky s The Rite of Spring, and Bartok s Concerto for Orchestra - comes the blazing follow-up with the same forces; Beethoven s Symphony No. 9.

Spektrum Die Woche No 25 – 22. Juni 2017  Magazines

Posted by JimKnopf at July 3, 2017
Spektrum Die Woche No 25 – 22. Juni 2017

Spektrum Die Woche No 25 – 22. Juni 2017
German | 56 Pages | True-PDF | 15,6 MB
Emanuel Ax, San Francisco Symphony, Michael Tilson Thomas - Beethoven: Symphony No. 5, Piano Concerto No. 4 (2011) [24/96]

Emanuel Ax, San Francisco Symphony, Michael Tilson Thomas - Beethoven: Symphony No. 5, Piano Concerto No. 4 (2011)
FLAC (tracks) 24-bit/96 kHz | Time - 68:17 minutes | 1.37 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Michael Tilson Thomas and the San Francisco Symphony follow their recently completed Mahler cycle with a series of new live recordings, including an all-Beethoven disc featuring the Fourth Piano Concerto with Emanuel Ax, and Symphony No. 5. Following the recent completion of their award-winning and ground-breaking Mahler recording project, Michael Tilson Thomas and the San Francisco Symphony will continue to bolster their discography with recordings from both the core classical repertoire as well as works new to or rarely heard by audiences.

Der Aktionär No 25 - 16. Juni 2017  Magazines

Posted by Keves at June 24, 2017
Der Aktionär No 25 - 16. Juni 2017

Der Aktionär No 25 - 16. Juni 2017
German | 117 pages | True PDF | 16.3 MB
Beethoven - The Complete Piano Sonatas on Period Instruments (10CD BoxSet) (1997)

Beethoven - The Complete Piano Sonatas on Period Instruments (10CD BoxSet) (1997)
EAC | FLAC (image+.cue, log) | Covers Included | 11:28:36 | 3,4 Gb
Genre: Classical | Label: Claves Records | Catalog: CD 50-9707/10

Now many of the world’s most serious and significant pianists (Schnabel, Serkin, Brendel, Goode, etc.) have devoted a great deal of thoughtful study to the Beethoven sonatas; in general, performance of this music represents a level of erudition and deep contemplation probably unequaled by the works of any other mainstream composer. Serious pianists study every aspect of these works in minute detail; virtually everything is taken into account except those instruments which inspired Beethoven, and which he had in mind when he composed.