So80's (So Eighties) is a triple-disc set of classic new wave and '80s hits selected by the German DJs Blank & Jones. The pair offer a non-stop mix of hits on the first disc while the other two discs round up original extended 12" mixes of the hits. Those looking for a thumping nonstop party will prefer the former, while those that grew up hunting down 12"s in record stores will prefer the latter pair of discs.
Piet Blank and Jaspa Jones - the producers known worldwide. For two they have let out already many albums and tens magnificent singles, reliably having fixed in world history of dancing music. Their hits more than once appeared at tops of charts, and each new album stably got to number 50 of the best to Germany. It started in 1997 with their debut single "Sunrise", the first step towards producing their own tracks. Nowadays, one cannot imagine the electronic elite without Blank & Jones. During their career they have known no musical boundaries and have worked with Artists such as Robert Smith from The Cure, Bernard Sumner from New Order, Sarah McLachlan, the Pet Shop Boys and Keane to name just a few…
Concord Records presents Indiana Jones: The Soundtracks Collection. This limited-edition boxed set includes all four of Oscar-winning composer John Williams' soundtracks for the Indiana Jones film series - RAIDERS OF THE LOST ARK, Indiana Jones and the Temple of Doom, Indiana Jones and the Last Crusade and this year's summer blockbuster Indiana Jones and the Kingdom of the Crystal Skull. Exclusive to this set are expanded and remastered versions of the original soundtracks for the first three films. The set also includes a bonus CD featuring additional previously unreleased music from the films, as well as excerpts from interviews with Williams, director Steven Spielberg, and executive producer/story creator George Lucas in which they discuss the making of the music for these historic films.
Joe Pass is one of jazz guitar's all-time masters. He demonstrates legendary techniques that will be of value to rock guitarists as well as jazz purists. Joe covers chord melody, chord substitutions, leading tones, chromatic chords, voice movements, and many more special excercises, all with the unique Joe Pass twist. A chance to study with a jazz guitar legend!
A rewarding release… As to the Mandarin, first impressions suggest a gloved fist on Ozawa's part and a general softening of attack since [his earlier DG recording from] 1975… Ozawa is strong on sensuality - those all-pervading glissandos, the seduction games and the languidly teasing sequences that lead to the chase… As to the Concerto for Orchestra…the Bostonians' Bartókian pedigree - it was, after all, Koussevitzky who commissioned the work — guarantees a certain élan and refinement… Ozawa is best where the going gets frantic (his finale is terrific, especially at the outset, and he plays Bartok's more concise original ending)… Ozawa's virtues are intelligence, alertness and a fine ear for detail… (Gramophone [8/1995] reviewing the Bartók recordings, originally released as Philips 442783)