…few pianists illuminate this music better. With him, even the "heavenly length" of some movements becomes a delight, and you don't want them to end.
The penultimate volume in Hyperion’s four-part survey of the complete solo piano music of Ernő Dohnányi focuses on music from the period when the composer’s pre-eminent position was being assured. The titles of the largest works here, Ruralia hungarica and the Variations on a Hungarian Folksong, mask in their nationalistic ostentation the skill of a true master of piano composition. Martin Roscoe inhabits the world of Dohnányi’s music like no other—appraisals of the earlier volumes attest to this—and this new recording is a joy.
BIS is proud to present the only available collection of the complete symphonies by Alfred Schnittke. The recordings, part of the Schnittke Edition begun in 1987, have been brought together in a 6-CD boxed set which also includes an initiated essay by Schnittke’s close associate Alexander Ivashkin: a fascinating chapter in the history of the late 20th-century symphony.
In this 3rd volume, Zacharias’ Mozart becomes essential, if not quintessential, in a universe for piano & concerto that is fascinating. The Concerto for Piano & Orchestra #17 in G major KV 453 dates from 1784, & inspired the musician Alfred Einstein to say: “In a friendly key are hidden many mysterious smiles & painful wounds – words cannot be found to describe the permanent irisation of feelings in the 1st movement, the passionate interiority of the 2nd.”
Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words.