…The opera is very much worth hearing—and owning (though I wish MD&G had supplied an English translation of the libretto). The performances are for the most part on target. (…) So I guess this must be a qualified recommendation, but a recommendation nonetheless, given the quality of D’Albert’s music.
The new Stax Classics series celebrates the iconic label's greatest stars, offering new liner notes, label discographies and 12 choice cuts from the artists' Stax catalog. This collection highlights one of the most influential bluesmen in history, Albert King, who single-handedly ushered blues into the modern era by combining his direct, urgent Mississippi blues style with contemporary soul rhythms, continually redefining the state of the genre. During his nine years on the label, the prolific artist released dozens of innovative hits and became one of the few blues artists to break through to the young, white rock crowd, influencing many of the biggest rock stars of the 60s and 70s, including Jimi Hendrix and Eric Clapton. This album includes such classics as 'Crosscut Saw,' 'Born Under a Bad Sign,' and 'Breaking Up Somebody's Home.'
Cray found himself in some pretty intimidating company for this Grammy-winning blues guitar summit meeting, but he wasn't deterred, holding his own alongside his idol Albert Collins and Texas great Johnny Copeland. Cray's delivery of Muddy Waters' rhumba-rocking "She's into Something" was one of the set's many highlights…
All of King's recordings for the Bobbin label are on this 22-track disc, including everything from his 1959-1963 singles for the label and previously unissued alternate takes of "Why Are You So Mean to Me," "The Time Has Come," and the previously unissued "Blues at Sunrise." While these are decent journeyman urban blues/R&B, they're not up to the level of his subsequent recordings for Stax. Albert King just sounds too much like the records another King – B.B. King, that is – was making during the same era. There are similar horn arrangements and alternation of stinging guitar with smooth, confident vocal phrasing. It's a tribute to Albert King's abilities, in a way, that it does sound confident, and not the work of an imitator, despite the similarities.
Unlike some of his other Riverside recordings, the accent on this Jimmy Heath CD reissue is very much on his tenor playing (rather than his arrangements). Heath is in excellent form with a quintet that also includes pianist Wynton Kelly, guitarist Kenny Burrell, bassist Paul Chambers, and drummer Albert "Tootie" Heath. The instantly recognizable hard bop saxophonist performs four standards and three of his own compositions, including the original versions of "Gingerbread Boy" and "Project S." It's a good example of his playing talents.
Albert Sanz ha publicado discos significativos para la escena del jazz, y "Mediterraníes" es tal vez su disco más cercano y entrañable, y lo hace en esta ocasión especial acompañado al bajo y la guitarra por Munir Hossn,que ha trabajado con Joe Zawinul, Alex Acuña, Gilberto Gil , Javier Ruibal y Jerry González, y es uno de los más excitantes exponentes de la nueva generación de músicos brasileños,y por Sergio Martínez a la percusión, quien ha colaborado con músicos tan diversos como Diego el Cigala, Paul Simon, Danilo Perez o el ballet nacional de España.