Despite the fact that 2008’ Leucocyte, would be the Esbjörn Svensson Trio's final album due to the tragic scuba diving accident that killed Svensson, this was a band that had traversed such wide musical territory they deserved a retrospective treatment simply to sum up what had transpired between the release of 1993’s When Everyone Has Gone and that premature finale. While this 70-minute single disc doesn’t contain any unreleased material, or pre-1999 material (in favor of presenting the trio’s fully developed aesthetic), it is beautifully compiled.
It was through the influence of Landgren and Svensson’s former teacher Bengt-Arne Wallin, who recorded the landmark album “Old Folklore In Swedish Modern” back in 1962 (ACT 9254-2), that Svensson and Landgren were inspired to make a duo album centered around folk songs. In August 1997 both went into the studio and with only trombone and piano recorded Swedish Folk Modern (ACT 9257-2). Their improvised treatments of the classic songs of the folk culture not only impressed the public; it brought praise from the press.
Propaganda vocalist and latter day solo artist Claudia Brücken (A Secret Wish, Love: and a million other things…) teamed up in 1987 with electronic pioneer Thomas Leer (The Bridge, The Scale of Ten) to create Act: a one-off pop cabaret par excellence. Music so cutting edge, the sessions were documented by Tomorrow's World. And songs that crossed the chasm from mid-Eighties acts of sophistication to late-Eighties acts of dancefloor hedonism. Artwork includes previously unseen photographs of the duo by Patrick Lichfield.
Styx was one of the titans of the hugely popular AOR movement – along with Boston, Foreigner, Journey, and REO Speedwagon – embraced by the U.S. mainstream in the late '70s and early '80s. The end of the Chicago-based band's peak period coincided with one of the most ambitious and notorious projects of the time, the 1983 concept album Kilroy Was Here…
Act V: Hymns with the Devil in Confessional is the seventh full-length studio album by American rock band The Dear Hunter. It was released on September 9, 2016 via Cave and Canary Goods and Equal Vision Records. The album is the fifth installment in a six-part series. It follows the conclusion of Act IV: Rebirth in Reprise, in which the story's main character is confronted by his nemesis and forced into blackmail.
From a classical upbringing, to pop, jazz funk and jazz, Norby listens solely to her heart and evaluates the musical quality of melodies fully free of genre restrictions. It is a path between worlds that her ACT debut 'Arabesque' defined two years ago: She wrote her own lyrics to classical works, from Rimski-Korsakov and Ravel to Michel Legrand, and transported them to jazz with the aid of her husband Lars Danielsson and their band. Now, with her second ACT album 'Silent Ways' she goes back in the other direction to some extent.
Boundary busting and inventive though it was, Kalimba (ACT, 2007)—the first album by German pianist Joachim Kuhn, Moroccan vocalist and guembri player Majid Bekkas, and Spanish drummer Ramon Lopez—ultimately felt like Kuhn's album more than a fully integrated, cross-cultural group exercise. Two years on, the trio's second outing, Out Of The Desert, offers a deeper mix—and an altogether more absorbing one.