Willie Nelson joined Ray Price's Cherokee Cowboys in 1961, the first step in a lifelong friendship between the two men. From that point on, the pair never fell out of touch. At the height of his superstardom in 1980, Nelson cut a duet album with Price called San Antonio Rose, the first of three joint efforts they'd cut over the years. Whenever the pair got together, they'd sing the old songs, Western swing standards and honky tonk classics from the '50s and '60s – the songs that form the core of For the Good Times: A Tribute to Ray Price, a salute Willie delivered three years after Price's 2013 death.
A Tribute To Iron Maiden jewelcase CD feat. cover versions by Kreator, Doro, Testament, Trivium, Powefolf, Iced Eearth and many more.
This isn’t just another oblique or chops based attempt at paying homage to the late, great bassist Jaco Pastorius. Here, Italian acoustic-electric bassist, arranger Maurizio Rolli and his A.M.P. Big Band (along with some special guests), inject heartfelt imagery into the Pastorius songbook. With this release, Rolli focuses on Pastorius' compositional strengths.
The 1996 concert video A Tribute to Stevie Ray Vaughan gathers Eric Clapton, Buddy Guy, Robert Cray, B.B. King, Art Neville, Dr. John, and brother Jimmie Vaughan to celebrate the talent and life of the modern electric blues guitar virtuoso. Double Trouble and the Tilt-a-Whirl Band support these stars as they interpret Vaughan's songbook in an 80-minute concert; brief interviews with the featured artists enrich the proceedings with even more respect and affection. Highlights of Vaughan's performance on the PBS series Austin City Limits hit home just how great a talent was lost when he was killed in 1990. Ultimately, though, A Tribute to Stevie Ray Vaughan focuses on the uplifting memory of his warmth and musical gifts, keeping them alive with the help of his very able friends.
Howlin' Wolf may be gone, but his spirit lives on, as this 13-track tribute album featuring members of the Wolf's own band attests. Sam Lay, Eddie Shaw, Hubert Sumlin, and the rest are as tight and smooth as they ever were playing behind Howlin' Wolf, and they've got an array of guest stars to do the Wolf proud. Taj Mahal (sounding a good bit like Wolf himself) is here, as are guitar-slinger Debbie Davies and multi-instrumentalist Kenny Neal. Lucinda Williams does a bluesy turn, and there are contributions from Lucky Peterson, James Cotton, and more. The CD features plenty of Wolf favorites, including "Saddle My Pony," "Howlin' for My Darling," "The Red Rooster," "Howlin' Wolf Boogie," and "Smokestack Lightnin'," among others. All in all, it's a fitting tribute to a man whose contribution to the blues is immeasurable.
Fleetwood Mac was the subject of an all-star tribute back in 1998, when Legacy: A Tribute to Fleetwood Mac's Rumours appeared. That full-length album tribute celebrated the Mac's biggest hit in a big way, concentrating entirely on major-label acts like Elton John and Matchbox 20, but 2012's Just Tell Me That You Want Me: A Tribute to Fleetwood Mac is decidedly more eccentric, as its title – a line borrowed from "Tusk" – no doubt suggests. Apart from Marianne Faithfull and Billy Gibbons, along with Americana singer Trixie Whitley, every band here exists solely within the realm of indie rock and, collectively, there's been a decision to stray from the confines of the standards of the Buckingham/Nicks songbook, with Bob Welch and Peter Green eras almost as well-represented as oddities from Lindsey Buckingham's album tracks…
Queen. They made music that was so unique, there aren't really that many bands that have been brave enough to attempt cover versions of their songs. Few singers, after all, want to have their voice compared to Freddie Mercury's, few guitarists can negotiate the tightrope wire between dazzling technique and melodic playing as skillfully as Brian May.
While some bands are all about The Sound, and others are all about The Song, Queen excelled at both. Sumptuous productions, virtusoso performances and a willingness to go out on a limb meant that you were guaranteed to hear something you'd never heard before, while the songs got their finely honed hooks in you and refused to let go…
There was never any disputing the strong country influence Eilen Jewell brought to her retro-pop-folk, so it's no surprise that she detours into this short but extremely sweet tribute to one of her obvious influences, Loretta Lynn. It's a natural side road, especially since Jewell's sumptuous voice is similar to Lynn's, as is her delivery. Jewell already recorded Lynn's "The Darkest Day" on her previous album, but the dozen selections here are not the coal miner's daughter's best-known tunes, despite the obvious resemblance of the cover art to 1968's iconic Loretta Lynn's Greatest Hits. Rather, the tracks are carefully chosen to reflect only Lynn's original compositions that highlight her often defiant, genre-expanding lyrics and diverse topics, which range from offbeat gospel ("Who Says God Is Dead") to brazen infidelity ("Another Man Loved Me Last Night.").