Reissue with the latest remastering. Features original cover artwork. This wonderful little gem features pianist Jessica Williams in trio on a set of six originals, a couple of pieces by Thelonious Monk, and one each by George Gershwin and Irving Berlin. What makes the recording so appealing is Williams' exquisite sense of rhythm and stunning technique, and drummer Kenny Wollensen's outstanding drumming. Williams uses both hands across the whole keyboard. Her style is instantly recognizable, as her bold and confident strokes and ability to move rapidly contrast with a sometimes delicate approach.
The Martian Deluxe Soundtrack is compiled of both 'Songs From The Martian' and 'The Martian: Original Motion Picture Score'. 'Songs From The Martian' is the companion Soundtrack to the film The Martian, the action adventure directed by Ridley Scott, starring Matt Damon in the lead role as Astronaut Mark Watney. The '70s-laden album is comprised of some of the greatest classics from disco's golden era (tracklist below) including "Turn The Beat Around" (Vickie Sue Robinson), "Hot Stuff" (Donna Summer), "Rock The Boat" (Hues Corporation), "Waterloo" (ABBA), and "I Will Survive"(Gloria Gaynor), and others. 'The Martian: Original Motion Picture Score' is composed by Harry Gregson-Williams (The Shrek Franchise, X- Men Origins, Man On Fire, The Chronicles Of Narnia). Gregson-Williams also previously scored director Ridley Scott's 2005 movie 'Kingdom Of Heaven.'
Reissue with the latest remastering. Features original cover artwork. A familiar grouping, but one that's presented here in a very different way – as bassist David Williams is up front in the lead, instead of working in his more familiar role in the trio of pianist Cedar Walton! Yet Walton's on board for this debut set from Williams as a leader – as is drummer Billy Higgins – and it's wonderful to hear the way they change things up slightly to give David more time in the spotlight, and to hear the way that Williams hits some of his more lyrical, melodic modes too – qualities that further our love of his talents on the bass, which were already great enough when working behind Walton. Cedar gets in plenty of solos along the way, but often cedes more time to Williams.