To celebrate Arvo Part's 80th birthday, Gimell presents a new recording of some of the Estonian composer's finest a cappella choral works. This is the first album of contemporary music from The Tallis Scholars since their famous 1984 recording of works by John Tavener. The program here includes several major works including the Magnificat, Sieben Magnificat-Antiphonen, Triodion and I Am the True Vine. The album's title refers to the compositional style Part developed in the 1970s and now employs in most of his works. This simple style was influenced by the composer's mystical experiences with sacred chant. Tintinnabuli works often have a slow and meditative tempo and a minimalist approach to both notation and performance.
Sony Classical release Cantique, their first from the dynamic conductor Kristjan Järvi, featuring the music of iconic composer Arvo Pärt in celebration of his 75th birthday. Järvi leads the Rundfunk Sinfonie-Orchester Berlin and the RIAS Kammerchor in performance of Pärt’s 1971 masterpiece, Symphony No. 3, plus the world premiere recordings of the orchestral and choral version of his Stabat mater and Cantique des degrès for choir and orchestra…
For all of those who look for early works of Pärt this is a precious recording. I believe there are a lot of people who don't find much appeal in Pärt's late repetitive, mystic works for the very same reasons others prefer them. So what's up here is that Pärt has a few lesser known works before, say, his third symphony which are the "opposite" of the mentioned above. Those who are found of Schnittke will surely appreciate this. The most remarkable composition in this record is maybe the "Credo" for piano mixed choir and orchestra. It consists of 13 minutes of duel between the forces of the past (represented by Bach's well known motifs) and the eruptive resources of modernist aleatoric clusters of sound. So, pools of beautiful passages are interrupted by (or combined with) destructive (or desconstructive) interventions of the orchestra till the whole, peaking sometimes the frenetic, becomes yet a powerful block of distinctive sound.
This fourth volume in the Kristjan Järvi Sound Project series is a tribute to his close friend and countryman composer Arvo Pärt, one of the most emblematic figures in contemporary music, to mark the celebration of his 80th birthday. Constantly inspired by pioneering, thrilling and exhilarating ideas, American-Estonian conductor Kristjan Järvi has gathered works spanning 40 years of Pärt’s compositions, as a culmination of of years of collaboration, musical exploration and spiritual connection.
Te Deum is a setting of the Latin Te Deum text, also known as the Ambrosian Hymn attributed to Saints Ambrose, Augustine, and Hilary, by Estonian-born composer Arvo Part commissioned by the Westdeutscher Rundfunk Radio in Cologne, Germany in 1984. Dedicated to the late Alfred Schlee of Universal Edition, the WDR Broadcast Choir premiered the Te Deum under the direction of conductor Dennis Russell Davies on January 19, 1985. The Te Deum plays an important role in the services of many Christian denominations, including the Paraklesis (Moleben) of Thanksgiving in the Eastern Orthodox Church. Because of the unusual instrumentation Part employs, his Te Deum is not suited for use within the Orthodox Church.
Marshalling orchestral and choral forces under the direction of Tõnu Kaljuste, this new Arvo Pärt album, produced by Manfred Eicher and realized, like all Pärt’s ECM discs, with the composer’s participation, is a major event. Sacred music predominates, by turns monumentally powerful and tenderly fragile.