The 43 tracks that make up the first part of the The Complete Decca Studio Master Takes 1940-1949 of Louis Armstrong are remarkable not only for the outstanding performances they reflect, but for the many settings Armstrong recorded in during the era. While none of this material will come as a surprise to collectors, those who are starting to check out Armstrong's post-New Orleans period would do themselves a favor in scoping this collection because the Decca years, even more so than his long tenure with Verve, showcase Armstrong at the pinnacle of American popular music, and that that music happens to be jazz is even more revelatory.
The year’s notable fiction, poetry and nonfiction, selected by the editors of The New York Times Book Review. This list represents books reviewed since Dec. 6, 2015, when we published our previous Notables list.
The Messenger is a project that reflects not only the guitarist’s virtuosity on his instrument, but also his impressive compositional skills—writing all but two tracks. Best described simply as a “Kevin Eubanks” recording—without specific categorization—as his intent with The Messenger is to communicate the breadth of his artistic influences.
Now in their 18th year, the Awards are a key highlight of the folk music calendar and serve to raise the profile of folk music. Talent, new and old, received accolades including Folk Singer of the Year, Best Duo, Best Album, Musician of the Year, Young Folk Award and more. Lifetime Achievement Awards were presented to Ry Cooder and Al Stewart.