From 1974 through 1980, Johnny "Guitar" Watson was on a tear no one, including George Clinton or Bootsy Collins, could equal. While the P-Funk machine began to run out of steam by 1978 - with the exception of the Brides of Funkenstein - Watson kept churning out the weird, kinky funk well into the era of Rick James. Love Jones, his last fine record for quite awhile, had all the trademarks in place: the choppy, heavily reverbed and wah-wahed guitar that had made Watson a blues sensation, the sci-fi keyboards, the handclap that Nile Rogers and Bernard Edwards ripped off for Chic, the expandable horn section that intertwined with the guitar riffs, and the punched up basic basslines that kept the funk a simple but ultimately moving thing.
Sixteen new songs co-written by Watson, along with Mac McAnally, Leslie Satcher, Kendell Marvel and more. Longtime fans of Watson’s modern yet traditional country sound are sure to instantly connect with this latest project. Much like his breakthrough record, 2015’s No. 1 hit The Underdog, Watson promises a collection of music focused around life, love and family. New tracks include “Mariano’s Dream,” nostalgic ode “They Don’t Make ‘Em Like They Used To” and “Diamonds & Daughters,” a sweet tribute to his own daughter.
GDigitally remastered and expanded edition of this legendary 1967 collaboration from Rock 'N' Roll and R&B pioneer Larry Williams and Johnny Guitar Watson, who took his R&B roots into pimp-friendly Funk in the '70s. The album is a Northern Soul classic with three bonafide stompers in the title track, the legendary 'Too Late' and 'A Quitter Never Wins'. Also features the even rarer 45 'Nobody', which the duo recorded with US Psychedelic outfit Kaleidoscope. The package is expanded even more with six tracks from Watson's OKeh album the Fantastic Piano And Guitar of Johnny Watson - BAD! And two tracks from the OKeh album in a Fats Bag - the Johnny Guitar Watson Trio Plays Fats Waller.
This is another fabulous album from Russell, with all the favourites and a bonus live recording from the Royal Albert Hall. Anyone who enjoys the pure class of a brilliant operatic voice, will not be disappointed, by this marvellous mix of tracks.